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Q&A Story Structure

It seems you have done enough reading/thinking about writing, and should go ahead with writing. You do have your "toolbox", now you need practice. Make outlines and follow through with writing. Wh...

posted 9y ago by Akash‭  ·  last activity 5y ago by System‭

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Q&A How do existing covers compare to possible new ones?

"Don't judge a book by it's cover." We've all heard that, but how many of us actually adhere to it? I believe that is a totally antiquated statement, especially these days when more and more books ...

posted 9y ago by Steven Drennon‭  ·  last activity 5y ago by System‭

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Q&A When a character tells a long story, is it always an info dump?

Another way to get a long story out is to use an argumentative listener. The biggest problem with a long story is that, IRL, nobody sits and listens to a long story from somebody they consider an ...

posted 7y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How to write a scene where the villain meets the protagonist?

Western audiences are into heroic self sacrifices in "brother v. brother" conflicts, such as the archetypal death of Ben Kanobi at the hands of Darth Vader in Star Wars, Episode 4. Some, like the ...

posted 9y ago by Stu W‭  ·  last activity 5y ago by System‭

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Q&A Trying to avoid being cliché

You want to start a tale with an outlandish statement? Go ahead. Just listen to your heart, write and complete it. Now, if the whole story feels 'unoriginal', then you can make some changes. Write ...

posted 9y ago by Aditya‭  ·  last activity 5y ago by System‭

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Q&A Picking a place to start (In media res)

The Big Flashback can work, but it's a tired cliché. The general strategy is to open with Louise fighting for her life the grip of the Acturan Octopus Tyrant, then jump back in time to her childh...

posted 9y ago by Duncan McKenzie‭  ·  last activity 5y ago by System‭

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Q&A Picking a place to start (In media res)

Kurt Vonnegut advised that writers “start as close to the ending as possible.” I recommend you decide what is the best ending you have right now, and then write that book. After that book is done,...

posted 9y ago by Simon White‭  ·  last activity 5y ago by System‭

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Q&A Story Structure

Plots are like skeletons. They're made up of individual bones called plot-points. You can look at any specific plot-structure and see how its plot-points are arranged. You can perceive where the...

posted 9y ago by Henry Taylor‭  ·  last activity 5y ago by System‭

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Q&A What defines a Fairy Tale versus typical Fantasy?

Mathematico-logical: fairy tales are a subset of fantasy tales/stories. For second graders, one would want a short story with a happy ending. A story with a moral to it is a fable (a la Aesop or...

posted 9y ago by angel ferrer‭  ·  last activity 5y ago by System‭

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Q&A Hang on - where's the main conflict?

There is nothing wrong here it just feels you don't like your conflict to be nerve gripping and mind boggling. I understand your concern and find it very genuine cause as long as you don't satisfy ...

posted 9y ago by a25bedc5-3d09-41b8-82fb-ea6c353d75ae‭  ·  last activity 5y ago by System‭

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Q&A How can I do research about the geographical scenarios of plot?

Google Maps is fine for geography, but your question mentions "cultural and political references." If you cannot travel there, you have to find some way to be exposed to and/or interact with the pe...

posted 9y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A Hang on - where's the main conflict?

As others have said, the main conflict is what the main character wants and can't get. But I think the point that needs making here is about what plot is. I think it is all to easy to get into th...

posted 9y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A Hang on - where's the main conflict?

Honestly, I think you might be overthinking it and trying to use improper abstraction to understand detective fiction. So instead of explaining conflict in typical detective fiction, I'll use an ab...

posted 9y ago by Ville Niemi‭  ·  last activity 5y ago by System‭

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Q&A Hang on - where's the main conflict?

My two cents! Which cost me significantly more after this morning's referendum result, mind you... What's conflict? Conflict exists when one desire is opposed to another. The opposing desires ca...

posted 9y ago by Cakebox‭  ·  last activity 5y ago by System‭

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Q&A Are there legitimate uses for using bold for emphasis within a sentence?

Bold is one way to emphasize something in a sentence. Recasting the sentence to put the emphasis where you want it is another method. Is one preferable to another? I'm not sure. The point of any wr...

posted 9y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A A protagonist who knows little about the world he born and grew up in until majority (present)?

It's understandable that your character doesn't know many things about the world when he leaves his village. That's where he came from after all. But he should know "a lot more" by the end of the ...

posted 9y ago by Tom Au‭  ·  last activity 5y ago by System‭

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Q&A First person POV "mom:" vs. "mother"

The choice of "mom" or "mother" or some other word helps to characterize the narrator. They differ in formality, and perhaps other attributes. This offers an interesting opportunity: Your characte...

posted 9y ago by Dale Hartley Emery‭  ·  last activity 5y ago by System‭

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Q&A First person POV "mom:" vs. "mother"

Addressing characters in dialogue: Anything goes. I usually call my mum 'mum', but I might call her 'mother' to be mock-serious. 'Queen of the Muffins'? Sure, if in the middle of some exchange it...

posted 9y ago by Cakebox‭  ·  last activity 5y ago by System‭

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Q&A Should I start writing even if I'm not sure how the story will end?

Lots of writers start writing with no idea where it will go, much less how it will end. Dean Wesley Smith has a book about that, called Writing Into the Dark. On the other hand, I once heard Richa...

posted 9y ago by Dale Hartley Emery‭  ·  last activity 5y ago by System‭

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Q&A Writing dialogue, present or past tense "said"

It doesn't matter how much dialogue you have. If your story (the narration) is in present tense, then all the verbs have to be in present tense. All the dialogue tags, all the narration, everything...

posted 9y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A Is killing a character to further the plot necessarily a bad thing?

There is one rule in writing from which everything else stems: you write for the reader. However, from that rule, you can deduce that if you turn out a novel that you know could have been better, y...

posted 9y ago by Thomas Myron‭  ·  last activity 5y ago by System‭

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Q&A Is killing a character to further the plot necessarily a bad thing?

Of course! If people don't die, it's rather unrealistic in my opinion.

posted 9y ago by user19352‭  ·  last activity 5y ago by System‭

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Q&A Can basic grammar rules be skipped when writing text for machine safety labels?

"Doors to manual and cross check" Good example of brevity, IMO. The instruction is not supposed to replace the cabin crew training course, nor explain aircraft operations to passengers, but to rem...

posted 9y ago by bobc‭  ·  last activity 5y ago by System‭

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Q&A should I use predictable plot elements?

Surprise is the cheapest of literary devices. People often reread their favorite books and re-watch their favorite movies. They would not do so if their enjoyment of them depended on surprise. With...

posted 9y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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Q&A AmE text for a British literary agent (and viceversa)

The best approach is to query the agent first and ask them what their preference is. It is unlikely that they all have the same policy. Asking them first shows them that you are aware of the issue ...

posted 9y ago by Mark Baker‭  ·  last activity 5y ago by System‭

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