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Q&A Is straight-up writing someone's opinions telling?

You're taking "show, don't tell" too strictly. There's no rules in writing - they're more what you'd call guidelines. If you're in doubt about a passage, write it both ways. Then see which one fee...

posted 5y ago by Galastel‭  ·  last activity 5y ago by System‭

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Q&A Is straight-up writing someone's opinions telling?

I'll add to Galastel answer about the general limits of the "show don't tell" paradigm. You are indeed allowed to tell when its more natural to do so; the catch being that while there are guideline...

posted 5y ago by Liquid‭  ·  last activity 5y ago by System‭

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Q&A Is straight-up writing someone's opinions telling?

I would add one word to that (then I'll tell you why): Visa squared his shoulders, knowing Reino respected confidence. An opinion is part of somebody's internal life; and how they see the wor...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Balancing setting, theme, and character arcs: how to deal with a setting that carries emotional weight but is left behind?

Finish what you start. Your instincts are correct. The more weight you give an element, any element, the more readers are going to understand it as something that will be important later on. But...

posted 5y ago by Standback‭  ·  last activity 5y ago by System‭

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Q&A Is it okay for a chapter's POV to shift as it progresses?

I think it is fine to shift, but I think you need a marker of some sort to ensure the reader is aware of whose POV they are in. This could be done in prose, but it might be easier to just use the ...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Trivial non-dark twist in dark fantasy

I think it is a mistake to write half a book as a grim fantasy, then have a twist that undoes that. To me, I am disappointed if the author builds up a dire scenario that suddenly fizzles out, the h...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How do I write a compelling villain-all-along twist?

There is a distinction between what the audience can logically deduce and what the audience is emotionally rooting for. The latter can make them blind to the former. A recent example is (Game of T...

posted 5y ago by sesquipedalias‭  ·  last activity 5y ago by System‭

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Q&A what techniques or approaches can I use to explore distasteful concepts while also making them necessary?

Q. How to portray the downfall of [SYSTEM]? A. Show it. There are basically two steps: first some worldbuilding second the writing A note on worldbuilding. I'll just say: before even showing...

posted 5y ago by _X_‭  ·  last activity 5y ago by System‭

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Q&A How to not confuse readers with simultaneous events?

If your goal is hectic momentum, then two-sentence paragraphs with a visual indicator of "scene change" might work. Colonel Mustard frantically wiped up the table. No one would believe he hadn...

posted 5y ago by Lauren Ipsum‭  ·  last activity 5y ago by System‭

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Q&A Can I modify and turn my published short stories into a novel?

You can't plagiarize yourself. It's actually pretty common for writers to turn a short story (or several) into a novel. Your only issues are about copyright. If you self-publish the stories, you...

posted 5y ago by Cyn‭  ·  last activity 5y ago by System‭

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Q&A How to tell readers that I know my story is factually incorrect?

Every book is going to play around with reality to some degree, though some do it more than others. Every case is different. Is this a story that would end up on a "I can't believe they survived!...

posted 5y ago by Cyn‭  ·  last activity 5y ago by System‭

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Q&A How important are the author's mood and feelings for writing a story?

For example, while writing an erotic scene, is it important for the author to feel the same way as they expect the readers to feel when describing the scene? For some subjective feelings or em...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Developing a dialogue that unexpectedly leads to strong feelings between two strangers

The tropes In my opinion this is a variation of love at first sight, and of engaging conversation. The latter can be summarised by a climatic conversation ending with a love epiphany, and even a m...

posted 5y ago by _X_‭  ·  last activity 5y ago by System‭

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Q&A A thesaurus that detects rhyming

I just stumbled upon https://rhymebrain.com/en Given a word it returns a section that suggests rhymes for related words. They may not synonyms, but it is the only tool I have found so far.

posted 5y ago by _X_‭  ·  last activity 5y ago by System‭

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Q&A Has anyone ever written a novel or short story composed of only dialogue?

The short story Orange by Neil Gaiman, from his collection Trigger Warning takes your idea one step further: it's framed as a subject's responses to an investigator's written questionnaire. The que...

posted 5y ago by Galastel‭  ·  last activity 5y ago by System‭

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Q&A Trivial non-dark twist in dark fantasy

I would like to offer a frame challenge: you're asking "will X make my story not fit the 'dark fantasy' sub-sub-genre". I say, write your story, make it a good one, then think what genre or sub-gen...

posted 5y ago by Galastel‭  ·  last activity 5y ago by System‭

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Q&A What's it called when the bad guy gets eaten?

Just Desserts From TV Tropes: A villain ultimately finds their evil deeds come back to bite them. Literally—they end up getting eaten. This does not include a Heroic Sacrifice. But may ...

posted 5y ago by Cyn‭  ·  last activity 5y ago by System‭

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Q&A Using ”as” after dialogue tags

It is fine to extend a sentence after a tag, and the first form is correct: "he said" should also be followed by a comma. "I don't like this at all," he said, as the door closed behind them.

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Using ”as” after dialogue tags

Commas tell you when to breathe. They can be for actual pauses (as when you read it out loud and take a brief pause) or they can be to tell your brain how to break down the sentence. Either way, ...

posted 5y ago by Cyn‭  ·  last activity 5y ago by System‭

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Q&A What are some bad ways to subvert tropes?

There's a danger with subverting tropes, in that you can end up giving misleading promises ... e.g. your story seems to be a romcom for the first 20 pages but then !surprise! it's a horror--well, a...

posted 5y ago by sesquipedalias‭  ·  last activity 5y ago by System‭

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Q&A Software for developing a resource

To build on my idea in the comments -- a chatbot framework may be helpful, even if that's not your ultimate goal. Here's a link to a little about them and how they can be used: https://rebot.me/p...

posted 5y ago by April Salutes Monica C.‭  ·  last activity 5y ago by System‭

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Q&A Ambiguous sentences: How to tell when they need fixing?

Alyssa is upset with her sister. Assuming that this will be make even more obvious by context, I think the text is fine as it is. You could make the sentence perfectly clear, but keep in mind tha...

posted 5y ago by Neil‭  ·  last activity 5y ago by System‭

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Q&A How should I present a resort brochure in my general fiction?

Often if something is included as an illustration (in a non-children's book) it might be A Clue! Agatha Christie novels are known for this -- if there's a diagram, that means understanding the lo...

posted 5y ago by April Salutes Monica C.‭  ·  last activity 5y ago by System‭

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Q&A How to build up towards a "Moment of Reckoning" when my story is told in the first person?

Is she supposed to be aware of everything happening around her and to her if I'm writing in the first person? Yes. But she can be aware and not understand. She can see and describe things sh...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How do I write a romance that doesn't look obvious

How can chemistry be perceived without giving evidence that they will be a couple in the future? You can make the chemistry perceptible without going over the top, but then you need a barrier ...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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