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Q&A

What is "head popping" and why is it bad?

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Most of my writing experience has been with first person, nonfiction stories. Now I want to try some fiction. I'm working in third person, but I'm a little bit confused about how to pull something off.

Okay, say I'm telling the story from character A's POV and he's talking to character B, suddenly character A says something where I think it might be interesting if the reader were to know exactly what it is that character B is thinking and or feeling at that very moment in time that Character A said whatever he said.

Can I not just write a new sentence saying whatever it is I want the reader to know? Can I not just change the POV from sentence to sentence by simply indicating to the reader that Character A felt this. And then Character B felt this. And so on and so forth?

Is this not the purpose of the omniscient narrator?

I've been told I've got it wrong. I've heard the term "head popping." I guess my question is what is head popping. Is it a bad thing to do? If so, why is it bad? And by that I mean: How does it hurt the story?

Can anyone think of a good example of a popular book that uses this type of effect?

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This post was sourced from https://writers.stackexchange.com/q/6355. It is licensed under CC BY-SA 3.0.

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1 answer

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I would find it annoying, or annoyingly convenient, to be switching POVs repeatedly, particularly just for one sentence.

I think even when you have an omniscient narrator, you need to stick with one person per scene, or per beat. When you read a story, you are kind of sitting on the shoulder of whoever is the focus of a scene, and if the POV jumps from A to B repeatedly, as the reader you don't know who you're supposed to be traveling with.

If you want the reader to know what Character B is thinking at that moment, either Character B has to display it (expression, body language), say it out loud, or communicate it somehow (write it down, sign it, text it). Otherwise you have to wait for the next scene or the next beat for the focus to switch to Character B.

The purpose of the omniscient narrator may be to give us access to the thoughts of all the characters... but not necessarily all at once.

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