Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Is it a bad idea to vary the voice of the narrator in third person (limited omniscient)?

+1
−0

I did some thorough searching for duplicates of this question, but I don't think they really cover the same spirit of the issue I'm having. (here are some examples of similar but different questions)

Third person POV
Third-person objective in action scene
Write a 1st person story with a 3rd person narrator

So here's my underlying issue:

I'm writing in third person limited omniscient perspective. The piece is finished, and I've been soliciting feedback from friends. One strategy I employed was an attempt to vary the voice of the narration based on the character being followed. The primary character is very simplistic in his world view, and the sentences are delivered in "bullet patter" and syncopated phrases: "He zipped the hooded shirt beneath his jacket. The hood flapped behind him as he walked."

The next character is an academic (a psychiatrist, in fact) who tends to be more eloquent and in most cases much more observant, so the narration style becomes much more affected by her perspective: "She turned a Rubik’s cube idly with her hand, watching a rotating desk toy that spun as it revolved, which created a variety of unique motions that alternated based on the speed of its descent."

I realize this can potentially come off as gimmicky, but as the story progresses the narration ultimately settles in a place between these two styles. My attempt was to put the reader in a headspace that resembles that of the character being followed.

Is this just muddled? Is the concept of doing this in violation of the purpose of a third person narrator? Are there examples in the wild that pull this off well that I should examine? Are my friends just not getting it, and if so is that a sign I shouldn't use it?

History
Why does this post require moderator attention?
You might want to add some details to your flag.
Why should this post be closed?

This post was sourced from https://writers.stackexchange.com/q/6957. It is licensed under CC BY-SA 3.0.

0 comment threads

1 answer

+0
−0

No, I love it. I think it's great. The narrator is sort of echoing the perspective of the the person being observed, and you're absolutely right that the two characters see things differently and speak differently. Having a different narrative "voice" for the two of them is a subtle way of showing the reader their worldviews before they even open their mouths.

I couldn't say why your friends aren't getting it, but I think it's a splendid idea and you should stick with it.

History
Why does this post require moderator attention?
You might want to add some details to your flag.

0 comment threads

Sign up to answer this question »