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Posts by Amadeus‭

1.4k posts
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Q&A Starting from future smoothing your way to present

"We have done it, friends, we are henceforth functionally immortal." -- Josh Briggs. Josh had no idea he would say this, someday. In fact, he had no idea he'd go into research medicine; rig...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How to deal with moral/legal subjects in writing?

In your comment to @tryin, You say "It is a non-debated social perception the character would be fighting." I am not a lawyer but I believe in the USA at least, and possibly elsewhere, there actua...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Are there stylistic overlaps between novels and comic books?

Was it a short lived trend to write novels this way? I don't believe so. I've been reading novels for over fifty years, I have several hundred of them on my home bookshelves. I would have noti...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Is it bad to suddenly introduce another element to your fantasy world a good ways into the story?

OP: So, will suddenly adding this species to the mix over twenty chapters in throw the reader off (in a bad way)? It certainly can do that, but you might get away with it. One way is to spotl...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A When should the dialogue reference be written, before or after the dialogue?

It depends on the context. If you think it is clear to a reader who is speaking, don't use a tag. If you think it will not be clear who is speaking, put the tag first, to orient the reader, so th...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Does it make sense to (partially) create a conlang that you don't intend to actually use in the story?

I think instead of creating the language, you can save a lot of time by just doing as you did in the question: Decide on features of the language that will make a psychological difference in the ch...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Can I use spoken English at some places over 'technically accurate English' in a general fiction?

Yes, that is acceptable. In dialogue, the only thing I'd say is unacceptable is trying to duplicate "sound effects" in the speech itself.Like if somebody is speaking with a mouth full of sandwich; ...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How do I present a future free of gender stereotypes without being jarring or overpowering the narrative?

While the answers thus far are good, and match my advice (just do it), they seem light on the mechanics. For the writing process it is important that you show and highlight unusual features of your...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How to describe POV characters?

+1 wetcircuit; my initial thought as well (have other people comment on their appearance). So, something different: You don't need a mirror for the MC to comment on themselves, particularly with f...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How to positively portray high and mighty characters?

I wouldn't call them "High and Mighty"; that is automatically pejorative and carries the air of "haughty", and disdain for commoners. I'd portray such people as intelligent, insightful, and perha...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How important is payoff?

I'd say, make sure her central dilemma is NOT exactly about where her brother is, but about what her brother does for her. A good analogy would be Dorothy in the movie The Wonderful Wizard of Oz. ...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How to help the reader wrestle through historical atrocities which would be considered normal to the POV character

I would say, trust the reader, and trust your character. Although these things may not be "discussed", they can certainly be thought about by your POV character. She is doing something highly unu...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A If I wouldn't want to read the story, is writing it still a good idea?

I am a discovery writer, for two reasons. First, I have tried plotting out stories, and for me that takes all the creativity out of writing, I stop caring about the story and give up. It feels like...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How to subtly portray a secret relationship

An alternative is to change your definition of "secret". For example, I knew two professors that were sleeping together and exclusively (one was a friend of mine outside of work), but very few of o...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How to write a nice frame challenge?

I write some frame challenges; I suppose the technique I'd advocate is "teacher." Basically a frame challenge is necessary if somebody is asserting something that is false, or too narrow an interp...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How to write a convincing religious myth?

I'd say the central component of a religious text is an element within it that is magical and unexplainable, and somebody is a subject of that (whether they like it or not). The pagans believed ev...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A I have a dialogue that I can't write directly. What would be a good alternative?

Just use English, in quotes, like any dialogue. When we write about medieval fantasy, the narrator is always translating ancient languages to English for the reader. It is understood, whether you ...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How do I write "Show, Don't Tell" as a person with Asperger Syndrome?

I'm a professional scientist; my point of view might help. The only way I can think of is to approach it analytically. Body language is a language you don't know. There are books on it, some contra...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Should I "tell" my exposition or give it through dialogue?

You can do it in exposition, but in general if I find a conversation that requires exposition or background to proceed, it is a signal that the writer is "rushing to drama". The solution is previou...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Avoiding cliches when writing gods

You may want some of the traditional gods. War is pretty much a universal in human culture, as is love, brotherly love, luck, sexual attraction, in some forms "good" and "evil", death, birth, hunti...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How do I write real-world stories separate from my country of origin?

Stop being an Indian writer, and become a writer. There is an Elton John bio movie coming out. He was born Reginald Dwight and changed his name. In one of the preview clips somebody tells Reginald ...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How do we properly manage transitions within a descriptive section?

I think it sounds awkward too. First, I would start a new paragraph. Second; "He turned his head toward her" is awkward; "He looked at her" is less awkward. "made him cry a bit" sounds strange to...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Should the audience be immediately aware of the reason for a flashback?

The flashback is informing the audience; both literally and metaphorically she is looking at herself, and the flashback is about her past. Yes, it makes more sense later, but by showing us the flas...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A Is writing literary devices in a narrative essay (reflective) always good?

Writing can be fine without metaphors or similes or other "literary devices". Your particular writing has problems. Normally we don't do critiques here, but I think for your example this will benef...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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Q&A How do I write a "take action" scene for a play?

Embrace the conflict. Just like a screenplay, a scene can have an ACT I, ACT II, ACT III. And people get absorbed in conflict, there should be some conflict in every scene, and your scene is built...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

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