Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »

Posts by Amadeus‭

1.4k posts
50%
+0 −0
Q&A Dead as a point-of-view, how can you write first person narrative if that person is dead?

After death experience. IRL many people with stopped hearts or that have clinically died, or been very close to death, report after-death experiences. Floating above their body, hearing (and repor...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Colloquial speech in pre-modern setting

how do I write colloquial speech, without jarring too-modern colloquialisms? Fictionalize it. Just avoid the clichés that people would recognize; catch-phrases or gestures or accents, give the...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How can I really drive home a character not being able to hold it together in the wake of repeated trauma?

I think a reasonable response to this scenario is revolt. He kills himself the second they put a weapon in his hand. He refuses to fight at all, if that means he dies, so be it. He makes repeated a...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How can you make an unrealistic setup as realistic as possible?

Indirect Research. It is difficult to investigate compound events; so break them into two events and invent your way out of the rest. One of your events is amnesia, the other is childbirth. Resea...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A First Chapters protocol

It's dangerous. It can be done well, but there is literary danger in beginning with "An Important Scene", as opposed to an unimportant or even forgettable scene. The danger is in the utter lack of...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A When writing a novel set in Colombia, do you use Spanish for the dialogue?

If you use Spanish for the dialogue, the vast majority of readers won't be able to follow it. Any publisher or agent (real ones, not the frauds charging you fees) will read your novel cover to cove...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Making conflicts based on misunderstanding

One character cannot explain their actions to the other without admitting a terrible crime, or without endangering the other. You can put even friends on the opposite side of a chasm; for example ...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Occupational Hazards to being a Full-Time Writer

I will presume you mean that you can write and get paid for it, and could actually choose a life as a professional writer, without starving. If that is the case (and this answer is tailored to you...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Too Many Goals?

You can manage four goals, but they must be useful to the plot. So your overall arc is "growing up", selfish kid to mature adult, along with "coming of age" (sexual maturity). The examples you ha...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Why do most literature magazines take so long (several weeks or months) to respond to submissions despite having only a few hundred subs per month?

I would chalk this up to common human nature, and F&SF and Clarkesworld as uncommon expertise and/or resources. On the common side, without being pejorative, what is not punished (financially...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How to hide a character's identity from the audience?

Given Joan of Arc and Loki on the stage, your setting is modern-day magical, you have a 600+ year old woman and a God. The reader will consider it a rip-off, a bait-and-switch if you don't reveal t...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How to defeat a strategic mastermind without throwing the idiotball?

It isn't what you don't know that hurts you, it's what you know that ain't so. --Mark Twain. I think the best way to defeat a mastermind is to plant a seed and do it early; no matter how smart som...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Can I assume readers will root for my protagonist in a man vs. beast story?

I think you must motivate him. For all I know, he is a villain, and you might be trying to save that as a surprise ending -- I've been rooting against one monster that is just following his nature ...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A What should my redraft phase entail?

Although I am a fan of King's instruction and I am also a discovery writer, I do not wait before the first draft and the second, for a very specific reason. At the end of the first draft is when I...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How to make characters more than the words on the page?

I agree with Galastel; to the point I almost did not answer! What I can add is that my main characters, perhaps like Harry Potter, have something special about them, a rare talent or natural abili...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Mentioning quickly repeated events in first person?

I'll agree with Ash, but it depends on the situation. In this one, the events/actions are not a foregone conclusion. If your character is sawing wood or tightening a bolt or having sex or doing any...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How to make a repeating plot "slice" not annoying

Ditch the cliché altogether. Stop talking about recovery or pain, stop any worry of the character not recovering, even if they are screaming don't let that affect the other characters. Treat it lik...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How to Win Short-Fiction Writing Competitions

Speaking as a professor, I have frequently been a judge (one of five for my field) for our annual poster contest (all sciences) in which students produce a poster describing their research, suitabl...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Writing Unequal Societies (Without Supporting Inequality)

How can I write a male-dominated culture without implicitly supporting it? As I often say here in Writing, it is important for nearly all of what you write to have consequences, some effect on...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Is it "fair" to hide specific thoughts of a character?

I don't think it is fair. Writing the thoughts of several characters in a single scene is generally called "third person omniscient", writing the thoughts of ONE person only is "third person limite...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A Avoiding Slang whilst Writing

I don't think you need any resource other than your own intelligence and self-awareness. We know when our slang is not "standard", just don't use it. Plus, it is ephemeral anyway, the 1920's "bee...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How do I know which elements I can use from the work which orginally inspired me?

Don't steal the plot, Don't steal their made-up words or made-up references, don't steal their (imaginative) tech, don't steal their characters or their unique combination of characteristics that m...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How do I write a shriek?

Inarticulate speech or sounds is an instance where I tell, I do not show. Shriek, Screech, Scream, Howl ... It can help if it startles somebody that comes bursting into the room to protect her, or...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
50%
+0 −0
Q&A How to control safety nets in discovery writing

As a discovery writer, I echo the sentiment that I absolutely control the direction of the story. I personally write with an end in mind; which I record as notes (not prose) about what finally hap...

posted 6y ago by Amadeus‭  ·  edited 3y ago by Canina‭

Answer
50%
+0 −0
Q&A How to write an online screen name in dialogue?

This is my opinion; the first option, capcase run together, is preferable. But sites vary, some let you use spaces in your name, some won't let you mix cases, etc. Edit: I skimmed over the fact th...

posted 6y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer