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Posts by Mark Baker‭

1.1k posts
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Q&A How to plausibly write a character with a hidden skill

A story is an experience. The reader has to trust that experience. If they stop trusting the experience, they essentially drop out of the world created by the experience, and once that happens, the...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How do I introduce a large cast in an interesting way

First, understand what a character is in fiction. A character is not simply a person. A character is an instrument for making a story work. You can't simply sit down, dream up a bunch of people, an...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How to write a sincerely religious protagonist without preaching or affirming or judging their worldview?

Avoid the imputation of naiveté. In the real world, of course, all most all people hold their beliefs reflexively and naively. Most atheists have not thought through or are even aware of the epist...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How to "Start as close to the end as possible", and why to do so?

I would take this as an expression of what I think of as knowing the difference between history and story. Every story is embedded in a history. A history is a sequence of event connected by causal...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A What makes a character irredeemable?

No character is irredeemable. If professional wrestling teaches us nothing else it teaches us that any character can make a face turn just as any character can make a heel turn. But authors don't...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Writing about real people - not giving offence

You don't. Turning a life into drama will almost certainly cause pain to those who remember that life. Life is more subtle than drama. Drama needs a definite shape that life lacks. That is why we v...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Double lies as sources of conflict in a single arc

There are two theories of character. One, to which most people give lip service (at least) today, is the one that Galastel has expressed: characters, like people, are complex multidimensional const...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Documenting framework features and descriptions

I would definitely not recommend using Word for this. It is just not what it was designed to do. There are multiple documentation systems that have been developed specifically for the purpose of ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How can I get into the mindset to write?

Writing is a stupid waste of time. It will make you lonely, but it won't make you rich. I can think of only two legitimate reasons to write: A profound and unshakable regret for not having writte...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Is it a good idea to give your manuscript for publishing to a considerably new publisher (start-up)?

It depends what your goal is. If you want to build a readership and make money from your writing, then paying anyone to publish you is not a good idea. If a so-called publisher makes money by charg...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How to identify whether a publisher is genuine or not?

First, real publishers don't advertise. It is really as simple as that. No legitimate publisher advertises for submissions because any real publisher is bombarded with manuscripts on a constant bas...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Two footnote numbering sequences

I'm not sure that it is a given that the numbering needs to be different from the original footnote numbers. Footnotes numbers are not necessarily a canonical part of the text, and since it would b...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Detail vs. filler

Setting is character. That is, setting functions in a story very much the way secondary characters function: it shapes and reflects the character of the protagonist, and it functions to propel the ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Recounting events in dialogue

Recounting events that the reader has already seen is almost never OK. It is repetition. It is boring. The essence of drama is tension. Writing a novel is difficult precisely because it is diffic...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Averting Real Women Don’t Wear Dresses

There is always an issue in literature with how strength, or any other human trait, is portrayed. In movies and TV in particular, that which is within can only be shown by external action. Books ca...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Averting Bathos

To build on Galastel's point, bathos is not simply about the juxtaposition of tones. It is about the unworthiness of the emotion expressed to the event that has occurred. So if you present a seriou...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Subverting the emotional woman and stoic man trope

Subversion is not just a way to introduce literary variety. It is actually subversive. It overturns the established order. So you have to ask yourself, why does the established order exist, and wha...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Thesis writing: consistency of symbols

In any work in which you use symbols, you have to establish the scope of each symbol when you use it. There is nothing to say that you can't use the same symbol to mean different things in differen...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How do you use the interjection for snorting?

Closest I can think of, though perhaps a little archaic: "Harumph, you're quick on the uptake I take it." But, like DPT, I would be more inclined to keep it out of dialogue tags.

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How do you make characters change believably?

First, TV serials are virtually impossible to end in a way that satisfies the audience. The whole dramatic structure of a TV drama militates against bringing it to a dramatically satisfying conclus...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Is it a good idea to leave minor world details to the reader's imagination?

Your readers are not going to imagine what LILLAHI birds look like. At best, this sort of technique calls forth the impression of an exotic location from their memory. For a westerner, for instance...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Production/edition focus order

The chances of getting a three volume set of 400,000 word novels by an unknown writer accepted for publication are as near to zero as makes no difference. Such a project would be extremely expensiv...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Research Paper Summary: How much should be citations versus original thought?

My rule of thumb has always been, don't quote anything unless you are going to comment on the quotation. If all you are doing is citing an information source to support an assertion, make the asser...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Resolving moral conflict

There are, fundamentally, two kinds of problem: technical problems and moral problems. A technical problem requires working out a workable technical solution. It is subject matter for a technical m...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A As a discovery writer, how do I complete an unfinished novel (which has highly diverged from the original plot ) after a time-gap?

This is the first ever draft of your first ever novel. If you were able to simply pick up where you left off and bring it to a successful conclusion, you would be a phenom. The novel is a highly ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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