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Posts by Mark Baker‭

1.1k posts
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Q&A I feel like most of my characters are the same, what can I do?

I'd venture to guess that you are caught in the worldbuilding trap. Worldbuilding is a perfectly fine hobby. You can make up characters and people and kingdoms and creatures. You can draw maps. You...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Secondary characters in character-study fiction

That is what secondary characters are for. If you conceive of a story as the arc of a principal character, then every event and every secondary character exists to define that arc, to push the char...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Do I need to start off my book by describing the character's "normal world"?

Start with a wind blowing through the normal world As others have stated, you need to start in the normal world because we need to understand who the main character is, how they live, what they lo...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A When writing non-linear, do I have to note time changes?

How a time change is indicated in the finished film is up to the director. You just need to indicate to the director that the time has changed, not specify how this is shown.

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Correct way of Citing References in a writing a Non-Fiction book?

Different publishers will have different preferences about this. An academic press is likely to prefer a more academic style. A popular press will prefer a more popular style. Ultimately, this deci...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Is there a writing style I can use to show "the result that appeared is contrary to the expectation"?

Writing is all about conditioning the reader's expectations. All the big effects in writing come from an appropriate setup. If you want to show a result contrary to the narrator's expectations, you...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How to ensure that neurotic or annoying characters don't get tiring in the long run

A character has to have an arc and be seen to move along that arc. You can't show the reader the same thing they have seen before, you have to show them development -- which may mean development of...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How to switch pov characters mid-scene without jarring the reader?

This is definitely a high wire act. I had to do it for one scene a novel where I had two lovers who were both misunderstanding the other's motives and actions. The only way to make full sense of wh...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How to write characters doing illogical things in a believable way?

Foreshadowing. Basically, anything you do, any coincidence, and personality quirk, that you introduce in order to move the plot in the direction you want it to go will appear as transparent manipul...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A What should come first—characters or plot?

Yes, there is an objectively better place to start, and that is with character. This is not to say that it is the only place to start. As long as you put all the bits together in the end, it doesn'...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How to deal appropriately with an inappropriate sexual relationship

Well, I think you need to start by reading Lolita -- not because it will give you a clear answer to your question, because Lolita is hugely controversial to this day -- but because it will give you...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Should you only use colons and full stops in dialogues?

You should punctuate dialogue exactly the way you would punctuate the same sentence if it were not in dialogue (excepting the typographic rules around the placement of quotation marks). A sentence...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Very simple markup language for writing fiction

Just because markup preferences are personal, I will mention the markup system I developed for writing my last non-fiction book. It is called SAM (Semantic Authoring Markdown). It is a general purp...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Writing a love interest for my hero

As it stands now, your question seems to boil down to: how can I write a story that no one will criticize? The answer to that is, don't publish it. If you publish it, with any degree of success, so...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How much should I pay the copyright holder for the right to translate a book and sell copies?

I think the issue of translation is largely beside the point here. What you are seeking is the right to publish the book in a new form for a new market, presumably one that the current publisher do...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Where's the balance between realism and story?

Is there a breaking point where people say, "that makes no sense"? Certainly there is, but I don't think it is anything you can quantify. In fact, it is demonstrable that that point is different fo...

posted 4y ago by Mark Baker‭  ·  edited 4y ago by Mark Baker‭

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Q&A Doubt about the double action of the concept of plot in fiction writing

You may be interpreting McKee too narrowly. "Design in time," for instance, does not have to imply a strict sequence. But I would suggest that you look at the word "plot" in much the same way as ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Switching languages within dialogue

Placing foreign languages phrases in italics is a well established convention that extends outside the bounds of fiction. It is always vastly preferable to stick with established conventions since ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Leaving wiggling room for your characters while avoiding contradictions

In the end, the story you are creating will either be convincing or not. But being logically coherent has little to do with making a story convincing. (The fact that there is an entire YouTube subc...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Getting an editor after the second draft

At this point you need one of two things, either time or someone you trust to tell you the truth. The problem with most beta readers is that they are friends or acquaintances and they don't want ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How do we create our own symbolisms?

The short answer is that you can't. Symbolism is really a property of a culture, not an individual work. Symbols are a kind of second order language, and you can no more make up symbols out of whol...

posted 4y ago by Mark Baker‭  ·  edited 4y ago by Mark Baker‭

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Q&A Is there a "right" way to interpret a novel? If so, how do we make sure our novel is interpreted correctly?

This notion that a novel has a meaning that we can ferret out and interpret has been a staple of English teachers for decades. Essentially it is an attempt to turn a novel (or any other work of art...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How do I start off in web comics?

Every writer should understand the Hero's Journey. Not everyone agrees on whether it describes the archetype of all stories or just a particular genre of stories, but either way it provides a lot o...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A Is there a better way to introduce acronyms through a dialogue?

In this particular case, don't, because the term NASA is more well known than its expansion. Sometimes acronyms evolve into words, such as scuba and radar. Once they become words, use them as words...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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Q&A How exactly can a writer write a horror story without making it so scary to the point where it's actually hard to read or watch?

I think you need to make a distinction between horror, which runs largely on anticipation (like every other genre) and splatter porn (which relies on the perverse titillation that some people feel ...

posted 4y ago by Mark Baker‭  ·  last activity 4y ago by System‭

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