How do I demonstrate ideological differences between characters who are politically not too different?
I'm currently writing a novel, in which two characters who are old friends are having an argument.
I'm writing the argument to establish who the characters are and what their values are (the argument is in chapter 1), and also to demonstrate some distance and conflict between them.
But, I'm struggling to come up with a convincing argument between them, because their ideals and opinions are fairly similar. They both share roughly the same worldview, but one of them is more moderate and the other is more extreme. Since they're basically on the same side, I'm just not finding any good way to differentiate between them, at least not in any way that gives both of them good points. It's very important to me that the argument be convincing, without either character being a caricature.
How can I develop an argument between two characters if the differences between them are fairly subtle?
If you can use my particular case as an example, my two characters are both left-wing and anti-war. The more moderate one has recently worked as a third party contractor (as a software developer) for the military to develop an improved training program that allows highly trained operatives to be better at missions such as extracting hostages and assassinating terrorists. He rationalizes his work as non-harmful, and potentially saving the lives of both civilians and soldiers. The other friend disagrees with him working for the military in any capacity, and accuses him of selling out his values.
This post was sourced from https://writers.stackexchange.com/q/16442. It is licensed under CC BY-SA 3.0.
3 answers
You are accessing this answer with a direct link, so it's being shown above all other answers regardless of its score. You can return to the normal view.
It should go without saying that some of these other answers have very valuable advice that is definitely worth reading.
When people "debate" it is rarely calm and cool headed. It rarely stays on topic and quite often comes from the fact that the basic assumptions which each has hitherto assumed the other also held are different.
This is a great time to expose any character flaws (which I assume you have thought about because you strike me as a sensible writer) and have a good opportunity not just to exposition the situation to the readers but also show the characters dealing with their conflict.
When I want to turn up the heat in a character debate I try to stay laser focused on what exactly the bone of contention is but allow the characters to throw in unrelated things that the reader might not be fully aware of (or was nto present for) but the characters know as they have a shared history before the story started.
The core disagreement should be something that can be expressed in not many words and doing so helps to clarify the positions of the two characters more clearly in my mind. What can really make an argument bitter and drawn out is when the words people are using clearly mean something different to each of them.
I have seen two very liberal Christians spend hours debating a single issue that from the outside it might seem that they are both agreeing rather aggressively with each other on. This is because they have assigned vastly different meanings tot he same words. As the debate gets heated there is the odd slip to bringing in unrelated barbs. This is where the art of subtext is really important.
It also allows the debate to go meta (which happens) where the characters have to "side bar" in order to thrash out what some word or phase means.
Further it can really help to give the emotional reaction too. Remembering that it is not so much the thesis of what they are saying that brings character to the front but their emotional reaction to each other.
"No, that's not right at all" said Bob as he struggled to not let his frustration with John boil over into actual shouting. Why can he not see how wrong he is on this?
"I don't think you are hearing what I am saying," said John feeling that Bob was not listening to him properly. "This is not the old 'out in the military' debate, this is about saving lives."
"How the hot hell do you mean to save lives by ending them?" Snapped Bob more angrily than he intended.
In the above example, which I invented just now (feel free to use and abuse as you wish), I have tried to say nothing at all about the actual debate and yet the two speakers are getting really irate over the issue all the same. Not all debates are filled with people giving good articulation to point and counter point. People are irrational and can sometimes simply communicate very badly. Make use of this as needed.
If this were part of some actual narrative we would have learned that these guys have had debates like this before and do not agree. It says a lot about John and Bob without actually adding anything new to the debate itself which, sadly, is how most people carry on.
TL;DR: let the character's passion show in their dialogue.
This post was sourced from https://writers.stackexchange.com/a/16501. It is licensed under CC BY-SA 3.0.
0 comment threads
Suggested strategies:
1) As indicated by other responders, make the argument really about something else more personal. You can get great drama from repressed and/or unadmitted emotions leaking out into ostensibly polite debate.
2) Foreshadow that this argument may be mild now but is going to have dramatic consequences. E.g. one of the characters makes an ominous parting shot, leaving the other to wonder if she has pushed him too far.
3) If your main problem is literally what to have the characters say, then you should look at genuine debates (e.g. on political forums, newspaper comment sites etc.) on this issue from people with similar opinions. Write it up, then edit it down ruthlessly. Personally I'm a lot more tolerant of political discussion in novels than most readers, but even my eyes glaze over if it extends beyond half a page.
4) if one side represents your own opinion, seek the input of someone from the other side to avoid caricature.
This post was sourced from https://writers.stackexchange.com/a/16951. It is licensed under CC BY-SA 3.0.
0 comment threads
Let's call them Monty the Moderate and Larry the Left-Winger for the sake of discussion...
I think both your charaters are less left-wing and anti-war than you think they are.
If Monty is willing to train soldiers to be better assassins, that's not being anti war. That's being practical, or perhaps utilitarian: This war is ongoing; let's minimize the damage and finish it as quickly and efficiently as possible. "Finish the war" will sometimes involve "killing the enemy."
That will be the crux of your argument: that Monty thinks of himself as being a left-wing anti-war person, when actually he has strayed over the political center line on a few issues. Not everything; you should probably keep him left-wing on other issues — maybe he's vegan, tries to buy local, checks his plastics for BPA, donates to Planned Parenthood, etc. But once he got this job, he made certain rationalizations which allowed him to justify his actions.
Larry might be brainwashed into wanting to kill indiscriminately, or trying to topple a government, smuggle arms to Sandinistas or whatever the equivalent is these days, write a letter to Iran insisting that negotiations with the sitting president are futile, etc. He's gone so far 'round the bend into extremism that he's come out the other side on the far right. Monty needs to talk him back down to sanity.
0 comment threads
0 comment threads