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How can I determine the goal of a scene/chapter when the main character is entirely passive? This hugely depends on what kind of a book you're writing: genre, audience, message. And the kind o...
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Source: https://writers.stackexchange.com/a/19045 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
> How can I determine the goal of a scene/chapter when the main character is entirely passive? This _hugely_ depends on what kind of a book you're writing: genre, audience, message. And the kind of a character you're trying to create. If becoming active and bold is part of his character arc, his goal in the first scene can just be for the evacuation to go okay and to get home as soon as possible. If he has a dog, he might have a goal of returning in time to feed or walk it. Or if he has family, maybe he's missing some important event and evacuation becomes a conflict for his goal of not missing that event. Or he may be late for work, date, what have you. Possibilities are quite endless, since his goal doesn't have to be tied to the evacuation. Rather make it an obstacle. > Can I even do it? Yes, by turning the evacuation in an obstacle and giving him a goal that has nothing to do with it. > Do I _need_ to make him active somehow? Yes. Even if he's stuck doing nothing, waiting for things to happen. He can be active in his head - frantically worrying that he's late wherever, imagining worst-case scenarios if he misses whatever. Finally, he can be texting or making calls, which will also give you opportunity to start introducing him to the reader.