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Source: https://writers.stackexchange.com/a/21676
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Source: https://writers.stackexchange.com/a/21676
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

First of all, your protagonist almost _must_ change, or there's not much point to your book. If s/he does _not_ at some point stop running and pull him/herself together, your reader will feel like the book is a waste of time.

To make it seem not rushed or fake, you need two things:

- sufficient buildup before the epiphany
- to give enough space to the epiphany that the reader believes it

By "buildup" I mean the protagonist has to be thinking about the things which will lead up to the epiphany before it happens. S/he feels afraid, but you have to _show_ the terrible things _and_ you have to show how the terrible things affect the character. Then the character briefly needs to reflect on or think about the gradual pileup of scary things — and by "brief" I mean a paragraph or two a chapter, but on an ongoing basis — and also to think about how things could be better. _If only I could do X_ or _If only Y were different_, then the scary things would stop or be defeated.

When the character is finally at rock bottom, then the desire to change will outweigh the fears of not acting. Remember that the fears don't have to go away. The character does not magically have to stop shaking, or stop being afraid. The character just has to push on _through_ the fear and act anyway. This is "pulling it together."

This scene shouldn't be only a few paragraphs; it should probably be a few pages. The reader needs to believe that the protagonist has genuinely weighed the choices and felt that moving forward was better than avoiding risk.

Original score: 5