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Source: https://writers.stackexchange.com/a/24680
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Ursula K. Le Guin uses a fairly well-tried technique in Earthsea:

1. Write book 1 about protagonist A
2. Write book 2 about protagonist B
3. At some point in book 2, establish how it relates to protagonist A's story.

The essence is that some combination of the world, the story of book 2, and the character of protagonist B, must be strong enough to make book 2 worth reading. It can't survive solely on waiting to find out how it relates to protagonist A, although I suppose you could in theory use B as a false protagonist and return to A.

Le Guin is good at her job, so protagonist A seen through B's POV isn't the same as A from his own POV. It's quite striking that A is not permitted by the author to become the protagonist of B's story.

The protagonist of a novel is not necessarily "the character we like most" or even "the character whose POV we have", it's the character who is questioned and tested, and whose decisions and development are the subject of the novel. So at risk of reducing this too far, you switch protagonists by writing a story in which a new person decides and develops, and the protagonist of the previous novel plays a role in which their decisions and development are not so important for the time being. A's in it, but it's not _about_ A. I would suggest that if you try to make it be about both A and B simultaneously then you risk either muddying the whole thing, or else (like George R.R. Martin) writing several thousand pages more than you intended.

If you skip step 3, so it doesn't relate to protagonist A's story _at all_, then arguably it's not a series of novels, it's a separate novel in the same setting. Which is also fine.

> Now he's suddenly forced to work with this new person, when he is only interested in reading about the old one.

There are always going to be readers who wish their favourite authors would write about something different from what the author has decided to write about, no matter how compelling the new subject. Live with it. Just don't bait-and-switch them by _advertising_ a series as being about protagonist A when actually it isn't!

Original score: 7