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Should I use contractions in my narrative, or only use them in dialogue? I have noticed that in some books, like The Passage by Justin Crownin, contractions are used in the prose. In others, like ...
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Source: https://writers.stackexchange.com/q/24796 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
Should I use contractions in my narrative, or only use them in dialogue? I have noticed that in some books, like _The Passage_ by Justin Crownin, contractions are used in the prose. In others, like _The Faithful and Fallen_ series by John Gwynne, I don't think I ever remember seeing a contraction in his narrative. The same goes for Tolkien's work. So, contractions or no contractions? Do certain genres lend themselves to contractions more so than others?