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It sounds like what you want is a narrative structure similar to the recent Deadpool film, where the main character frequently breaks the fourth wall, has voiceover narration of ongoing events, fla...
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#4: Attribution notice removed
by
System
·
2019-12-13T12:00:39Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/24867 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
by
System
·
2019-12-08T05:39:14Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/24867 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
It sounds like what you want is a narrative structure similar to the recent _Deadpool_ film, where the main character frequently breaks the fourth wall, has voiceover narration of ongoing events, flashes backwards and forwards in linear time, and generally metas all over the place. If you establish this kind of Moebius strip narrative from the beginning, your readers may be more accepting of it happening in the middle of the big boss takedown. But if you do it for the first time at a crucial moment, then no matter how funny the rest of the novel is, you're breaking the suspension of disbelief. So do it early and often, and teach your reader that at any point you might interrupt the action with narration, flashback, poetry, or random jokes. Whether the particular fight works will then require fine-tuning, but the effect should be less jarring.
#1: Imported from external source
by
System
·
2016-10-06T18:20:18Z (about 8 years ago)
Original score: 4