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Let's come at this from a different angle. There is a difference between the ending the reader wants and the ending that they find satisfying. An happy ending can be emotionally empty. A sad ending...
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#4: Attribution notice removed
Source: https://writers.stackexchange.com/a/25021 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
Source: https://writers.stackexchange.com/a/25021 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
Let's come at this from a different angle. There is a difference between the ending the reader wants and the ending that they find satisfying. An happy ending can be emotionally empty. A sad ending can be emotionally fulfilling. (There is a reason, a profound reason, why we listen to sad songs. They confirm our perception of the sadness of life, and therefore make our essential loneliness bearable.) The problem with the death of Holmes was not that it killed a popular character, but that it did it in a way that was utterly untrue to the characters of both Holmes and Moriarty. It was an unsatisfying death. If Conan-Doyle had given him a satisfying death, a death that made emotional sense, there would have been national mourning, but not national outrage. So, give your character an ending that is true. Happy or sad does not matter. What matters is the emotional completeness of the ending. We can weep for joy or for sorrow with equal depth of feeling, but a trivial ending, whether happy or sad, gives no satisfaction.