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I've always felt that my writing is very sequential. It's a chain of events. This happens, then this happens, then this happens, and so on. Not to say that the events are boring, but I just always ...
#4: Attribution notice removed
Source: https://writers.stackexchange.com/q/25921 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
Source: https://writers.stackexchange.com/q/25921 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
I've always felt that my writing is very sequential. It's a chain of events. This happens, then this happens, then this happens, and so on. Not to say that the events are boring, but I just always felt that something was missing. I believe I've found what that something is: twists. I'm a plotter, which means I outline my story extensively before I start to write it. I have a process that I use to create the outline, which focuses on all the parts I need, like character development and stakes, plus all the rest. One thing it does not focus on is twists. I guess twists somehow never came up when I was studying how to write. I know what a twist is, and more or less how to include one. What I need now is practice doing so. I want to get into the habit of writing and creating my outlines with twists baked in. I want to start thinking of my novels with some misdirection in mind. What can I do to get in that mindset, so that including twists in my novels and outlines becomes a habit? Should I just start writing short stories (not for publishing) and focus on twists? Or is there some sort of exercise that I can do?