I am teaching myself how to write a novel -- where can I find support and resources?
I want to have training in how to write fiction (particularly science fiction). I know that I can take courses (in my case online), and that I can join critique groups. I am on a budget, however...
I did find a book titled "90 Days To Your Novel" by Sarah Domet. It looks promising, except some reviews say that it takes way more than 90 days to do the assignments; they are only supposed to take two to three hours a day. Additionally, it would be nice to have an accountability partner or a support group while working this book.
Where would a person find such a person or persons? Are there better resources than this book to learn writing from?
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Repeating what I've said elsewhere. Writing Excuses is a podcast that specializes in Sci-Fi/Fantasy. They have a master course, that I mentioned earlier (season 10) on how to write a novel. It's free. It's my only recommend, but it won't be enough.
Writing a novel is "easy". You just have to have a sufficient piece of writing that's long enough. Writing a good novel is something that takes years of practice. You can get that practice in many ways. Analyzing the work of other masters. Having someone teach you the basics. Engaging in discussions with your peers.
You've asked specifically for things that "teach" you how to write a novel. Well, here it is: Sit down and write every day until you have enough words to constitute a novel. If your end goal is to have a novel; you will have to do this at some point. Writing is one of those things you learn more by doing.
Certainly, pick up one or two books. Certainly, read a few blogs. Certainly, attend a writing class. All of these things will give you perspective, but at some point you just have to sit down and write. When you finally do that, you can take your work to a local writing group and they'll help you figure out where you need to improve.
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This is the reality of the thing: there are hundreds of thousands of people who would like to have written a novel. Many of them are willing to spend a considerable amount of money to advance their ambitions. This creates a market for writing courses and books on how to write. Where such a market exists, competition in that market will inevitably drive the development of courses and books that claim to teach you as simple formula for writing a novel and getting it published. They will offer things like foolproof systems, short time frames, and simple steps.
All of this is inevitable. Where there is a market for advice and education, works like this will necessarily spring up to take advantage of that market. Even if no one who knows or cares anything about the subject would ever write such a book, someone who does not care will come along and write it because there is money to be made. Markets abhore a vacuum. Where there is a demand, products will be created to meet that demand.
Most of these books and courses will repeat exactly the same advice. Each of the foolproof systems they propose will be essentially the same foolproof system with different names on the steps and diagrams drawn differently. Some of this advice will be reasonable enough as far as it goes. Some of it may even help you figure out what went wrong when you get stuck.
But none of it will suffice to make you a successful novelist.
And much of it is so wildly simplistic or just downright wrong that it will do you far more harm than good if you try to follow it all.
A novelist is, at heart, a storyteller. They love stories. They read stories constantly. They tell stories. They pay attention to the nature of stories. They may read intelligent books that examine the nature of story. But more than all of this, they are attentive. They are attentive to life. They are attentive to the books they read. They are attentive to the impact that stories have on themselves and those around them.
You can't learn to write a novel the way you can learn to put together flat pack furniture or cook spaghetti bolognese. You have to learn by immersion with attention. Books and courses may be a element of that, but their greatest value may be that they introduce you to the company of other writers.
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