Is this an example of an unreliable narrator?
I've been writing a mystery story recently, but I've run into a problem concerning the major plot twist, and was hoping for some guidance from more experienced writers.
Here's the scenario:
Person A (the narrator) and Person B are twins, and thus are very close. Recently, a series of murders has happened in the area, and the group of friends that Person A and B are part of are trying to find out what's going on.
Person C, one of Person A's friends, is convinced that Person B is responsible for it all. She provides compelling evidence that proves her claim, and says that they should confront Person B as soon as possible. However, Person A refuses to believe her and provides counterclaims that are equally as valid as Person C's.
The twist is that Person C was actually right, and Person A was blind to it because of how much he cared about his twin- not even considering the chance that Person B could have actually hated him (which Person B indeed does).
Of course it's more detailed than that, but I don't want to make it too complicated. I just want to know if this is flat out lying to the reader or an unreliable narrator.
Also, do any of you think this is a cheap twist?
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2 answers
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I'm not sure if what you are describing is unreliable narrator at all. An unreliable narrator is not one who is mistaken about facts. An unreliable narrator is one who is deliberately deceiving the reader.
You say the twist is that B is really right about who did it. But how do we know that this is the twist? Since A is the narrator, how do we know that B was right. Does A finally tell us that B was right? In that case they are not an unreliable narrator, they are reliably narrating a story in which the jumped to a wrong conclusion and were finally convinced of the right solution. That sort of thing is pretty common in first-person detective stories.
Or does A maintain to the bitter end that A was right, while at the same time revealing enough evidence to convince the reader that B was actually correct? That is going to be extraordinarily difficult to pull off, and some percentage of readers are always going to be left confused. You had better be doing it for some reason other than as a gimmick or it may be torches and pitchforks for you.
But even then, this is not really an unreliable narrator, just a narrator who is honestly relating an interpretation of facts about which they are mistaken. A truly unreliable narrator would be one who is genuinely attempting to deceive the reader, or one that is genuinely delusional. That is obviously pretty hard to pull off in the context of a detective story. It raises the question of who they are attempting to deceive and why (which presumes a narrative addressed to someone other than the reader) or of why this person's delusion are germane to the story being told.
The episode of BTVS when Buffy thinks she is a patient in an asylum and her friends and her vampire slaying are an illusion comes to mind here. But of course that episode is inconclusive. The whole series might indeed be the imaginings of mad Buffy. But does leaving the reader with similar doubts work for a detective story? Is that your intent?
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An unreliable narrator is one who knows the truth but doesn't reveal it to the reader. It sounds like your story has a narrator who does not, in fact, know the truth.
Dr. Watson is sometimes seen as an unreliable narrator of the Sherlock Holmes stories, because he deliberately hides or shades details from his readers. He alludes to the case of "the lighthouse, the politician, and the trained cormorant," and "the Giant Rat of Sumatra," saying the world is not yet prepared for such stories, and doesn't go into detail about why he and Holmes have to leave London for a few weeks in the summer of 1895. He also flat-out says that he's changing names and details to protect the identities of some clients.
In your story, Person A can't lie to the reader if A doesn't actually know that B is the murderer. It's possible that A knows things which s/he is withholding from the reader, which C/D/E etc. would then bring up, but the reader would then have to see/hear that happening. If A is narrating, A has the "ability" to refuse to "tell" the reader what the other characters say. (If the story is just from A's POV but in third person, it's easier to determine if A is telling the truth or not.)
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