Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

60%
+1 −0
Q&A Is it more effective to lead with a physical conflict rather than an emotional one?

I think the really important conflict is between the world inside a character's head and the world outside of it. Since "the world outside of it" is usually shaped by other characters acting in acc...

posted 7y ago by TheTermiteSociety‭  ·  last activity 5y ago by System‭

Answer
#3: Attribution notice added by user avatar System‭ · 2019-12-08T06:23:35Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/27744
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by user avatar TheTermiteSociety‭ · 2019-12-08T06:23:35Z (almost 5 years ago)
I think the really important conflict is between the world inside a character's head and the world outside of it. Since "the world outside of it" is usually shaped by other characters acting in accordance with their own model of the world, this almost always has a moral dimension (because that model of the world will include a model of how people should behave in it), a physical dimension (because they will physically interact with things) and an emotional one (because they will have invested their emotions in aspects of their world model).

My view is that a story is, at its simplest level, about a character encountering something that doesn't mesh with their understanding of the world, and having to make a choice between changing the world or changing themselves. A story generally ends when the relevant aspect of the world and the relevant aspect of the character's understanding of it are in alignment.

So, think about who your character is, what they believe and what they want, and think about the sort of conflict that _really_ defines the start of their story arc. Whether that ends up being physical or emotional is usually irrelevant; it's how it relates to the overall story that really matters.

#1: Imported from external source by user avatar System‭ · 2017-04-26T13:54:53Z (over 7 years ago)
Original score: 2