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Story structure is essentially a sequence of incidents. It is important and contrary to what is said in some of the comments, literature has it just as much as light entertainment. But while all ...
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#4: Attribution notice removed
Source: https://writers.stackexchange.com/a/27997 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
Source: https://writers.stackexchange.com/a/27997 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
Story structure is essentially a sequence of incidents. It is important and contrary to what is said in some of the comments, literature has it just as much as light entertainment. But while all conventional stories have story structure, those incidents must happen to someone in some place and some time. The incidents, and therefore the structure of the story, are only interesting because they happen to interesting people in an interesting place at an interesting time. There isn't a huge amount of variation in the size and complexity of various story shapes. What makes the difference between shorter and longer works is the amount of content devoted to the people, places, and times. In other words, the skeleton of a elephant is no more complicated than the skeleton of a mouse. There is simply more flesh on the bones, and the bones are corresponding bigger to hold the greater weight. Don't expect to find more structure in a large novel than you do in a short one, therefore, or even than you find in a short story. Expect the same bones, but larger, and a greater amount of flesh. Flesh is composed differently than bones. Flesh comes principally from observation. It is not more detailed structured that makes for a longer novel, but deeper and more detailed observation.