What is the difference between Literature and entertainment literature
The question grammar for describing plots had a few comments that touched upon the differences between literary novels and entertainment novel which made me think. So I searched the SE for any previous questions pertaining to the difference between the two and found what is literary fiction?, which collected answers that, while interesting, were mostly opinion based.
So I ask: What is the difference between (capital L) Literature and entertainment literature?
Please note:
Let's try to avoid value judgements (just because some books within both categories may be utter rubbish, that does not value the category itself has greater or lesser value)
I predict some of you will mention genre, but there are canon literature books that are also genre (Frankenstein is horror, Ishiguro's Never Let Me Go is a dystopian sci-fi fantasy, etc)
I've been thinking over the comments and answers which have led me to a better understanding of what I'm looking for.
The fact that there isn't an authoritative definition of literature and literary works leads to many definitions (academical, commercial, popular, ...). Therefore I'll try to clarify some working definitions for the purpose of this question.
literature / literary novel = a genre (that may overlap with other genres, just like romance can overlap with sci-fi)
Literature = a novel (because we're mostly dealing with novels here) written within any genre (sci-fi, romance, literature, mystery, ...) that is recognised (usually after some years, if not decades) to be above its contemporary works because of (elusive reasons).
Now say you've been asked to organise a workshop for aspiring writers who long to create an elusive work of Literature in their own preferred genre. The first point of the workshop is precisely to understand what separates Literature from all the rest (while the rest includes from works ranging from terrible to fairly good or even overall great).
So, what are those elusive reasons that can have a piece of work in whatever genre stand out above everything else?
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There are many many differing opinions on this topic and discussion can be had at length about this issue. Here is my definition, which is short, irrespective of genre and as a result somewhat vague:
Entertainment Literature
Works that are meant for consumption by the masses.
Literature
Works that have have become popular and remained popular through time or have had a significant impact on world event or their genre. Usually they have been deemed to have an inherent artistic value.
In sense everything (with notable exception of experimental literature) starts as entertainment literature and if it has some great value (which often means that it stands the test of time), then it becomes Literature that is being deeply analyzed and studied.
This post was sourced from https://writers.stackexchange.com/a/28059. It is licensed under CC BY-SA 3.0.
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Books are classified for various reasons. The word literature is used in more than one classifications scheme.
For the purpose of selling books, "literary fiction" is a genre like any other. Genre is sometimes thought of in terms of subject matter, but it would really make more sense to think of it as a kind of contract with the reader, a promise to deliver a certain kind of pleasure. Take science fiction for example. You are not likely to find Mary Doria Russell's The Sparrow, Doris Lessing's Canopus in Argos, or C.S. Lewis' Out of the Silent Planet, shelved in Science Fiction, even though they are all set in space and on other planets. They don't deliver the kind of pleasure that typical sci fi readers are looking for, and are more likely to be shelved as literature. Literary fiction, for this purpose seems to mean works that are more contemplative in nature, or that focus more on character or place than on action. It may cover the subject matter of other genres but with a different focus.
Academically, Literature seems to be more a function of time. Literature is the classics, though I am not sure this distinction necessarily holds any more.
Personally, I draw a distinction between Literature and Pulp based on whether the work is morally serious, by which I mean whether it attempts to portray the human experience as it really is, of it is portrays it aspirationally, as we would like it to be, not as it is.
But I think you will find that there is always a value judgement involved in the use of the word literature. It is fundamentally about worthiness and people will clearly disagree about what constitutes worthiness in art. At best you can expect to get a definition that represents the views of a particular school of thought, not one that depends solely on concrete observable characteristics.
It is fashionable today to doubt the viability to aesthetic judgements. They are fundamentally not scientific and it is fashionable to regard any judgement that is not scientific in nature as meaningless. I am not of that school, but I recognize that in modern parlance that pattern of thought essentially reduces all aesthetic judgement to mere opinion. It is up to each of us to decide if we grant them more credence than that.
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