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Inner conflict is the whole enchilada. All good stories lead up to a moment of crisis in which the protagonist must make a choice. That choice must be personally difficult. It must come at personal...
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#4: Attribution notice removed
by
System
·
2020-01-03T20:41:54Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/28048 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
by
System
·
2019-12-08T06:27:51Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/28048 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
by
System
·
2019-12-08T06:27:51Z (almost 5 years ago)
Inner conflict is the whole enchilada. All good stories lead up to a moment of crisis in which the protagonist must make a choice. That choice must be personally difficult. It must come at personal cost. Deciding to buy the Chevy rather than the Ford is a choice, but not one that comes at a personal moral or psychological cost. The climax of a story is always that moment of change or revelation when the protagonist must ask themselves, am I this sort of person or that, am I willing to pay this price or not? All stories also need something to bring the protagonist to this crisis point. This is the role of external conflict. But external conflict is not enough in itself. Its point is to create the occasion on which the inner personal conflict must be faced. Otherwise resolving the external conflict is a mere technical matter, like choosing between the Chevy and the Ford. The crisis point of inner personal conflict can also be reached without an external antagonist, without an external conflict. But external and internal conflicts are not alternatives. Internal conflict is always at the heart. The external conflict is merely a mechanism to bring them to that point.
#1: Imported from external source
by
System
·
2017-05-12T23:38:31Z (over 7 years ago)
Original score: 7