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Two thoughts: As an author, your job is not so much to show that your character is afraid, but to make the reader afraid for them. The physical expressions of fear are far more often played for c...
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#4: Attribution notice removed
by
System
·
2020-01-03T20:41:54Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/29035 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
by
System
·
2019-12-08T06:42:51Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/29035 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
by
System
·
2019-12-08T06:42:51Z (about 5 years ago)
Two thoughts: 1. As an author, your job is not so much to show that your character is afraid, but to make the reader afraid for them. The physical expressions of fear are far more often played for comic effect. (Think about how they are used in the movies. Almost any time you see a character's face expressing extreme fear, it is for comic effect.) If the reader feels fear for the character because of the situation they are in, and because they care about them, then the reader will feel the fear themselves and will project it onto the character without you needing to show it. Again, think about how this is done in horror movies. It is all in the lead up: the cheerleader innocently walks down the dark corridor where the audience knows the ax murderer is hiding. It is all in the pacing, in the buildup. A sudden sound or movement is then all it takes to get the audience to jump out of their seats. Don't describe fear; create it. 2. The primary fear reaction in humans is not a facial expression. It is fight or flight. Focus on what the character does in the face of the monster, not on what they look like.
#1: Imported from external source
by
System
·
2017-07-01T18:47:15Z (over 7 years ago)
Original score: 10