I wrote a novel, now what?

• If you are going to have it professionally edited, do that first before you do any other steps. These days, manuscripts must be 100% print ready before submission.
• A query is an introductory letter you send before submitting a manuscript so you don't waste your or your prospective publisher or agent's time. If you take the time to learn how to write these well, you can dramatically increase your odds of being published. Writing them is a gatekeeper skill that can be mastered. There are online resources, as well as published instructional manuals for queries.
• If you aren't looking to make a living off writing, an agent is probably even more important. It's not notably easier to find an agent than to get published, but they'll take over a lot of work you probably neither want to do nor are qualified to do after you get them. (I sold the one book I published traditionally without an agent, but now wish I had gotten one, it would have been well worth the percentage.) If you do wish to approach publishers directly, you can ask one to recommend an agent to you after you are accepted. This is a little unusual, but not completely unheard of.

As a side note, you'll want to submit exclusively to Italian language publishers and/or agents. There's no possible reason to submit your Italian-language book to an English oriented firm or agent. According to this site there are nearly 300 Italian publishers.

BTW, user8183921's advice is excellent, and can be equally applied to agents. For English speaking agents, this is a good starting place: AgentQuery --I'd be surprised if there isn't an analog for other languages as well.

posted about 7 years ago

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Chris Sunami‭

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I can't speak to the Italian market specifically, but generally speaking the fiction market is totally saturated with manuscripts, most of them completely hopeless. This saturation means that it is very hard to get over the first hurdle of getting a publisher or agent to even pick up and read your manuscript.

Two ways to improve your chances of getting read are referrals and meeting agents and editors in person.

If you don't know anyone in the industry, you can look for a writing teacher in your area who has connections in the publishing industry. Take their class. In that class they will get to read your stuff. If they think it is good enough they may agree (or even volunteer) to refer you to someone they know in the industry (agent or editor). This will greatly increase your chances of being read.

To meet agents or editors directly, go to a writing conference. Most of these offer pitch sessions where you get five minutes to pitch your story to an agent or editor. If they like your pitch they will ask you to send a sample or the whole manuscript. This way you get read, and you have established the beginning of a relationship with someone on the inside.

posted about 7 years ago

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Mark Baker‭

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I myself did the same sort of thing. I was out of work at the time and wrote a novel as something to keep the mind working and active. I allowed a few people to read it and as I had some positive feelback I decided to self-publish. I used a site called https://www.lulu.com/ as my portal, and found them to be simple and easy to use.

Ok now I have not sold a lot of copies, yet, but that is mainly down to not marketing it as I did not have a lot of money at the time. I would not use Amazon for many reasons, although mainly down to their treatment of staff and 3rd party sellers, but thats my decision.

I would look for somewhere that gives you good tools, links to sites such as Amazon and google books. Also finding out what the various costs, geogrphical areas they deliver too and various formats such as ebooks etc.

posted about 7 years ago

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Kuulmonk‭

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I don't know why you say "an agent isn't in scope". An agent's job is to make sure you don't get cheated, and you will get cheated if you don't have an agent. As an author, you have no negotiating power, so they will only present you with a contract that is most favorable to them and least favorable to you, and they won't negotiate the terms with you because they know you're not an agent. An agent will be able to negotiate with the publisher and you will make more money than the agent's fee. Even agents who write books will get other agents to represent them (I can cite Nathan Bransford as a specific example of a former agent who got another agent to represent him).

So the correct answer is to try to get an agent. There is literally no reason not to do it.

posted about 7 years ago

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Kef Schecter‭

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Another italian non-professional here, ciao :)

I have no experience in publishing, and I am going through similar questions myself. What I understood so far is pretty much what the others already said. I add a few more opinions:

• Don't rely too much on your friends' opinions. However good is their taste, they are your friends, and they will always read what you write with those lenses, encouraging you and being biased on the familiarity with the author more than with the book. If the book is terrible they will tell you, I'm sure, but their encouragement, useful as it can be, it's not objective.
• On the other hand, rely to a community of readers. There are many online communities and book clubs that you can find where to share your ideas and works with people with similar taste, especially if your novel falls into a genre. Science fiction and fantasy fans are very hard-core passioned about anything, so they could give you powerful feedback and support.
• Sending unsolicited manuscripts is free-of-cost and needs to be attempted in any case, but you must be aware that the odds are very low. Self publishing is a viable alternative way, but it requires a lot of self-promotion work to make your book emerge.
• Consider contests ("concorsi"): sometimes they are just scam, but they can be useful to get noticed by a community.

posted about 7 years ago

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FraEnrico‭

130 reputation 4 12 24 0

Generally speaking, a new Fantasy author will have much higher chances of being published if their novel fits an existing book series the editor is publishing. This is because selling a totally new book requires marketing effort, and unless you're willing to pay for the marketing or your name is selling itself, the publisher won't take the risks.

E.g. if the publisher has several books about "goblins in space", you'll have a better chance being published if you novel also revolves around goblins and / or space, or can somehow be adapted to fit the series. So look around for publishers who have books similar to yours, and target them specifically.

Oh, and provide a short abstract of your novel, perhaps 1 page long, describing the plot. Make it as factual as possible, avoid describing your characters in detail, and state who did what and what happened to them. Something like

A, a goblin who dreamed to go to space, hides in the cargo bay of a space ship and travels to Callisto, where he meets B, a space alien. B needs to return to their home planet but is stuck on Callisto due to a crash-landing. A helps B to steal a research vessel, and they both set off to B's homeworld, but because of a navigation error they land on a planet inhabited by super mutants. etc. etc.

Without the abstract, it's hard for publishers to judge whether your novel is suitable for them (they won't read the whole thing just to find out it doesn't fit), and your manuscript will almost certainly be rejected.

posted about 7 years ago

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Dmitry Grigoryev‭

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I'm German. The process of submitting manuscripts is almost identical to the one in the USA. I assume it will be similar in Italy, too. What you are expected to do is usually:

1. Find an appropriate publisher. In your case that would be one that publishes SF, Fantasy, and/or fantastic literature, ideally in a similar style. (If you don't know the right publisher, then go to a bookstore and educate yourself.)

2. Look at their website. It is very likely that they give detailed instructions on how they expect manuscripts to be submitted to them and to whom.

3. Follow those instructions closely.

4. If you cannot find instructions, do this:

   a. Write a polite and brief application, as if for a job. Explain why you chose that publisher. Describe your publication history (in your case, write that you haven't yet published anything).

   b. Attach a two to five page synopsis of your novel. This synopsis must describe all the plot-relevant characters, tell everything that happens, and explain the resolution of your plot. That is, do not try to create suspense by keeping the end secret, as you would with readers. The publisher wants to know if you managed to create a satisfying whole, and for that they need to know all of your text.

   c. Finally, include the first three chapters or 50 pages, whichever comes first.

   d. Submit by email to the editor in charge of SF, F, or fantastic literature, if you can get their name (maybe call the main office and ask).

5. Wait eight weeks. Do not call. If you hear nothing, they are not interested.

Submitting to an agent works the same, except that you must tell them if you submit elsewhere. You need not include this information when submitting to a publisher directly.

If you know someone in publishing, try to have them recommend you.

Regarding some of the comments:

A note on finding agents and publishers

Ideally, you read what you write and you know the market. If you don't, go to bookstores, ideally more than one and, if possible, repeatedly over the course of several years, and learn which publishers have books (of your genre) in the bookstores. Those are the publishers you want to get published by.

If you publish in a niche that not every bookstore represents, find review publications relevant to that niche and see which publishers they review.

Along with your list of publishers, you will have aggregated a list of authors these publishers publish (in your genre). Now perform a websearch for the name of that author and "literary agency". Agents list their authors on their websites, so you should find every author's agent this way, unless that author does not have an agent.

A note on payments

German author Andreas Eschbach says on his website:

§1: Money always flows from agent to author – never in the opposite direction.

§2: There are no exceptions to rule 1.

§3: If you believe that your case must be an exception, you are mistaken.

I have heard and read similar advice from all kinds of people in the publishing industry, including publishers, editors, agents, and authors.

A note on professionalism

Publishers work and they want their job to run smoothly. They perceive your manuscript submission as a job application. So present yourself as reliable and capable. Take some care and time when you prepare your submission.

German agency AVN even call their submission guidelines "application as author".

A note on following up on your manuscript submission

Do not call the agency or publisher. This may be different in other countries, but German agencies and publishers explicitly tell you not to call them. For example, agency AVN says:

Please do not call us. If we are interested, we will contact you.

Publisher DuMont asks authors:

Please desist from inquiries regarding the state of our review of your manuscript.

Simply do not forget your contact information (see the note on professionalism above).

posted about 7 years ago

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System‭

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