Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

60%
+1 −0
Q&A Would it be appropriate to end a side story as soon as a character is killed off?

Although it IS okay to end a side story as soon as a character is killed off; it is NOT appropriate (i.e. seen as good writing by readers) to end a story without resolution of the character's arc. ...

posted 5y ago by Amadeus‭  ·  last activity 5y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2019-12-19T22:13:10Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/45957
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T07:07:58Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/45957
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by (deleted user) · 2019-12-08T07:07:57Z (about 5 years ago)
Although it IS okay to end a side story as soon as a character is killed off; it is NOT appropriate (i.e. seen as good writing by readers) to end a story without resolution of the character's arc. The "surprise" ending of this POV you outlined will be seen as crappy writing, it will not evoke any of the emotions you seem to think it will.

In this case, the way to handle this character's downward arc is prophetic depression and foreshadowing. The foreshadowing is to put in his story line somebody much like him, say Joe. Similar background, similar interests. Joe is also promising to return to his wife, Emily and his child, Alicia. They become friends. Then he watches Joe get killed, and it shakes him; that his _friend_ could not keep his promise.

After his friend gets killed, his commanding officer asks for volunteers to gather Joe's effects; and among them our hero finds a letter. "Dear Emily, Dear Alicia. I am so sorry I won't be with you, ..."

A death letter.

Our hero is in war, death of men just like him is all around him. The "prophetic depression" is him realizing he isn't that special, they all promised to return. When he gets his final order, their mission sounds bad enough his fear breaks. He sits down and writes and his own death letter, stuffs it in his pack, and marches into battle.

In other words, to complete his arc, you need to tell all about the consequences **after** his death, **before** his death! You do that through proxies or stand-ins for himself, so he actually experiences some semblance of the emotions he _would_ feel if he could feel, after his death, through empathy and sympathy with his fallen fellow soldiers, (those are "foreshadows") and turning the deep depression he _would_ have felt by failing his wife and child into a prophetic depression; before the battle he just _knows_ he is not going to make it.

#1: Imported from external source by user avatar System‭ · 2019-06-13T10:25:38Z (over 5 years ago)
Original score: 0