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One alternative is to "postpone and dilute". It is in fact likely that a very small amount of all the infodump is needed to get the scene running. Add the other elements as you go. To think of a p...
Answer
#4: Attribution notice removed
by
System
·
2019-12-18T21:34:21Z (over 4 years ago)
Source: https://writers.stackexchange.com/a/32547 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
by
System
·
2019-12-08T07:41:48Z (over 4 years ago)
Source: https://writers.stackexchange.com/a/32547 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
One alternative is to "postpone and dilute". It is in fact likely that a very small amount of all the infodump is needed to get the scene running. Add the other elements as you go. To think of a parallel, think of looking at a painting. Mona Lisa, for example. At the first pass one may describe it as a smiling woman holding her hands. Some action goes on, and there is a second pass: the woman is still holding her hands, but now we notice the smile, the puffy cheeks, the wit in the eyes, and the natural landscape in the back. More action goes on, and there is a third pass: the woman is still there, but not the veil that covers the hair becomes apparent, as well as the waterfall in the background, and so long. We could have dumped a pixel-by-pixel description of the painting, but that is not natural. Give it in layers. Give time to each layer to become familiar, and move to the next layer of details. Refrain from telling everything at once, and dilute it throughout the story.
#1: Imported from external source
by
System
·
2018-01-13T23:54:01Z (over 6 years ago)
Original score: 4