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Source: https://writers.stackexchange.com/a/32697
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Source: https://writers.stackexchange.com/a/32697
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

My advice is to try and act out the parts, actually say the lines, make the movements, and so on. If necessary, use cardboard boxes or other cheap stuff (empty aluminum cans as wine glasses or a lantern) for your props. Use a sheet of paper with a name on it, put it on the floor for other actors. Use your living room as your stage, or your bedroom or kitchen or garage.

In other words, you can do this very cheaply with imagination and dispensing with self-consciousness, to ensure your play doesn't present some insoluble or insanely expensive puzzle for a set designer, and isn't going to feel awkward to act out for your actors, or be too clunky and inauthentic to say.

That you don't give them lines or emotions that are too difficult, or stage directions that won't work, and that you don't leave them standing there like a mannequin while some other actor works through a three minute speech.

Actors want something plausible to DO, even if it is pacing.

Stage plays are unlike the movies. In a movie, the camera can focus on one actor doing something (even giving a speech) and the other actors are offscreen and don't have to do a thing. So the offscreen actors **can** be mannequins, and in truth may not even have been present while this scene was shot! This is not true on a stage, once an actor comes in, the audience sees them until they exit. So they must be exited once they no longer contribute to the scene or would be distracting. Until then, they need some work to do if they are going to stick around for another interaction.

That's why Mom hears a chime offstage and leaves to check on the bread for five minutes before she returns: We have no plausible busy work for her to do while Bob and Janet argue about his sister moving into the guest room, so we invent some errand for her to do offstage.

Get your head out of the page, act things out. Make sure things "flow" and "feel right" to you. It will change your writing, and to producers and actors is more likely to "feel right" too.

Original score: 3