How do you handle violence in a story with a female as the main villian?

First, I have to ask you the most important question:

If this is such a dilemma for you, why did you write this villain as a woman? You are literally in control of every aspect, why a woman if you want the male protagonist to take her down in a battle of fisticuffs?

That aside. Frankly, if she didn't want to have people punching her in the face, she shouldn't have gone the route of all-encompassing evil. I, me personally, have no issue with men hitting women, or the other way around (within the context of a fantasy setting where good versus evil is a thing). Because:

If he doesn't stop her, people will die.

But. Two work-arounds, if you're not in the mood to have to defend this. Either, make your protagonist a woman. Who's going to get upset with a woman slapping another woman around? The other, make your villain a man. Or do both, and have it be about women taking on the patriarchy (that's a joke, in case you're wondering).

Look. As a woman, I really don't care about that. In my current work in progress, in the opening chapter, I have my MC getting attacked by a group of men, and have her killing half of them. It isn't about violence against women--otherwise a dozen shows I know would be getting WAY more backlash (RWBY, Powerpuff Girls, Avengers, the list goes on). This is about the reason behind it.

So, if you get this published, and someone asks you why your very male protagonist had to slap a clearly less physically capable woman around, you need to be able to answer that: Why does the villain have to be a woman, and why does the protagonist have to be a man?

posted almost 7 years ago

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Fayth85‭

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It is not your problem. The one having the problem is your character. Your job is to figure out how he solves it and convey that to the reader.

As such while the other answers gave some good advice on how to deal with such issues, there cannot be a general answer that works for all characters. The solution necessarily depends on the values and personality of the character. Unless they see it coming and can prepare it will also depend on the situation and the circumstances.

I think the correct mindset would be too see this as an opportunity to add some depth to your characters by letting us see them struggle with an issue that doesn't have an obvious correct solution. And it does not end with the action either. Problems without clear correct solution usually result in regret and rethinking of your choices based on your experiences. In short, character growth.

Also the problematic nature of solving problems with violence does not actually depend on gender of the target of the violence. The distortion really is not that violence towards women feels wrong, it is that we unthinkingly accept violence with certain pre-conditions. I am mentioning this here (with an edit) because if using violence towards the villain causes the hero to question his choices that can extend to him questioning his right to use violence as a solution in general.

posted almost 7 years ago

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Ville Niemi‭

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Personally I don't see any problem as long as "get physical" involves a weapon/power of some sort. If Eve is a master hacker who steals Bob's parents' life savings and Bob tracks her down and punches her in the face that would make me dislike Bob. If Bob tracks hacker Eve down and holds a gun on her until the police arrive, or Eve is a wizard who covers Bob's parents' farm in snow and there's an epic magic battle where Eve loses an eye, I'm still fine with Bob.

There are plenty of female villains that face male heroes--Azula in AtLA, Bellatrix and Umbridge in Harry Potter, Ventress and Zam Weisell in Star Wars--but who wins the battles doesn't have anything to do with men typically being physically stronger than women.

I would avoid creating minor female villains who are constantly defeated (especially if you have very few female characters to begin with--Scott Lynch is pretty good at having female characters if you need recs) and generally find petnames or sexual innuendo from the hero to the villain cringy if the hero has the upper hand.

There are some series like The Black Company where many of the interactions between male and female characters are cringy for effect. I'd be very careful with this unless you're writing for a primarily male audience or have Glen Cook's world building ability.

posted almost 7 years ago

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mkbk‭

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I don't see the problem. But then IRL I surround myself with strong women. I was taught to fight by a woman. My sister has taught Tai Kwan Do for 40 years. My mom was the second female CPA in New Jersey.

But in a story you have to make it clear that this female antagonist is extremely dangerous.

In addition, I would make it clear that the antagonist started the fight and won't let the protagonist live without killing or disabling her. These requirements I feel are necessary because of the current society in the US where there has been a lot of sexual abuse. I would also make it clear that there was no sexual relationship between the two, both in the present and the past.

A good example of a dangerous female antagonist is in the webcomic A Girl and Her Fed. Clarice (Agent 146) is a dangerous psychopath who has at least considered killing 90% of the human race just so that she'd be remembered after she died. There is a valid reason for this in the comic: the more people who remember you, the more powerful you are as a ghost after you die.

posted almost 7 years ago

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NomadMaker‭

60 reputation 0 9 12 0

To quote Batman: "The hammer of justice is unisex."

Your hero isn't fighting the villain because she's a woman. He's fighting her because she's a villain. And since she isn't a femme fatale who uses her gender to her advantage, her gender is ultimately completely irrelevant to her conflict with the hero.

So the best way to handle the gender dynamic within the story, is to ignore it. Don't treat it as a man fighting a woman, and don't have the hero think of it that way. Treat it as a hero fighting a villain, and nothing more.

If you still fear that readers may find any violence against her unacceptable, there are two options:

• Tone down the violence. Have the hero do only what he needs to in order to defeat her. If she doesn't have to die, have the hero knock her out and incapacitate her. If she does have to die, have her hoist by her own petard.
• Amp up the villainy. Have the villain go flying over the Moral Event Horizon. The more the readers hate her, the more accepting they'll be of any violence against her, regardless of gender.

posted almost 7 years ago

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F1Krazy‭

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