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Source: https://writers.stackexchange.com/a/33052
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Source: https://writers.stackexchange.com/a/33052
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Interesting question. Changing a character's name is definitely jarring to the reader (at least it has been to me). The best suggestion I've found to deal with that is to create tension about the name. If the reader spends half the story wondering what the true name is and building up to that, they'll _want_ the name to be revealed, and it won't be jarring at all. However, you are dealing with a slightly different problem.

You say:

> Then, they're finally given a normal name [...]

This leads me to conclude that this isn't so much a birth name, as a name selected by people who care about this character. That makes how you refer to the character very important and symbolic, as you seem to have figured out.

I think the same principle as above might apply here, if you change it a bit. Introduce tension surrounding the name. Will the character accept it? If the reader _wants_ the character to adopt this new name, then they will cheer when he starts using it, rather than be surprised or confused. Be sure to keep increasing the tension for awhile; the more the reader anticipates the name change, the better.

I think no matter what you do, referring to this character by their new name in _narration_ will be jarring. I think you can lessen that effect by building tension as I've suggested, and also include a scene or internal monologue where the character actually decides to use his name now. Have him basically say or think, 'never again will I be called [nicknmae]. From now on, I am [name].'

The last thing I would suggest is not to surprise the reader. Don't save using that name for the first time for the next chapter. Once the character says the above, call them that name in narration. Or better yet, acknowledge both names in narration and basically reiterate what the character just said. So for example:

> [Nickname] was [nickname] no longer. He was [name]. And [name] would never return to who he used to be.

In those three lines I restate what the character just said, and then use the name in narration myself, just to drill it home. THEN you can end the chapter (because that seems like a good point for a chapter to end to me - totally optional though). The point here is that the first time you use the new name in narration, should not be the opening of a new chapter. I think that could be really jarring, especially if the reader paused between chapters for any good length of time.

Best of luck in your writing!

Original score: 27