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Root for the guy is not really the magic elixir you are after. As I have said before, the heart of every story is a choice. It is not enough to make your character want something. The pursuit of th...
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Source: https://writers.stackexchange.com/a/33121 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
Source: https://writers.stackexchange.com/a/33121 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
Root for the guy is not really the magic elixir you are after. As I have said before, the heart of every story is a choice. It is not enough to make your character want something. The pursuit of that desire, whether the desire itself is considered positive or negative, is not enough. It must lead the character to a choice of values, a moment in which they have to choose between something they love and something they want. We don't follow a character simply because we want them to get what they want. We follow them because we realize, however dimly at first, that they are going to have to make a choice to get the thing they want. This business of making choices between values is something we face all the time in our lives. These decisions are difficult both because they involve giving up something (some possession, some opportunity, some prejudice, some comfort, etc.) but because such choices are almost always made with incomplete information, and as such require considerable courage. Stories are how we prepare ourselves for such decisions, and how we comfort ourselves when we find we have made the wrong choice or wonder if a different choice would have turned out better. This is what we want to see in a story, and we follow a character because we have the sense that they are going to have to make such choices. Rooting for them, therefore, means more than simply hoping they get what they want, it means hoping they make the right choice, which may well mean not getting what they want. So, in addition to what the character wants, you need an equally strong reason they can't have it, or more specifically a hard choice they must make, a sacrifice that will be necessary for them to get what they want. Desire + obstacle = story.