Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

50%
+0 −0
Q&A How unadvisable is it to flip the protagonist into a villain?

The good character who turns bad is a classic feature of literature. It is the essence of the literary form we call tragedy. Thus Macbeth opens with high praise for the virtuous Macbeth: SOLDIER...

posted 6y ago by Mark Baker‭  ·  last activity 4y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2020-01-03T20:41:57Z (over 4 years ago)
Source: https://writers.stackexchange.com/a/34260
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T08:17:47Z (over 4 years ago)
Source: https://writers.stackexchange.com/a/34260
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by user avatar System‭ · 2019-12-08T08:17:47Z (over 4 years ago)
The good character who turns bad is a classic feature of literature. It is the essence of the literary form we call tragedy.

Thus Macbeth opens with high praise for the virtuous Macbeth:

SOLDIER.

Doubtful it stood;  
As two spent swimmers that do cling together  
And choke their art. The merciless Macdonwald,—  
Worthy to be a rebel,—for to that  
The multiplying villainies of nature  
Do swarm upon him,—from the Western isles  
Of kerns and gallowglasses is supplied;  
And fortune, on his damned quarrel smiling,  
Show'd like a rebel's whore. But all's too weak;  
For brave Macbeth,—well he deserves that name,—  
Disdaining fortune, with his brandish'd steel,  
Which smok'd with bloody execution,  
Like valour's minion,  
Carv'd out his passage, till he fac'd the slave;  
And ne'er shook hands, nor bade farewell to him,  
Till he unseam'd him from the nave to the chaps,  
And fix'd his head upon our battlements.

DUNCAN.

O valiant cousin! worthy gentleman!

SOLDIER.

As whence the sun 'gins his reflection  
Shipwrecking storms and direful thunders break;  
So from that spring, whence comfort seem'd to come  
Discomfort swells. Mark, King of Scotland, mark:  
No sooner justice had, with valour arm'd,  
Compell'd these skipping kerns to trust their heels,  
But the Norweyan lord, surveying vantage,  
With furbish'd arms and new supplies of men,  
Began a fresh assault.

DUNCAN.

Dismay'd not this  
Our captains, Macbeth and Banquo?

SOLDIER.

Yes;  
As sparrows eagles, or the hare the lion.

But Macbeth turns bad, and thereby hangs the tragedy. This is all classic stuff and some of the greatest works of literature follow this pattern.

The challenge in what you propose, though, it that series literature, essentially popcorn books meant to be consumed quickly and ravenously, don't tend to deal much in tragedy. Their taste is more bitter than popcorn, and I'm not sure if the audience you will have built over the earlier books is going to be ready for bitter herbs with their popcorn.

#1: Imported from external source by user avatar System‭ · 2018-03-13T18:22:27Z (about 6 years ago)
Original score: 10