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I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment: Action - analysis - reaction Johann fired (action) his pistol and mi...
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#7: Post edited
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on the throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>
How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing. For example saying: _he put sword en garde, watching his steel trembling in his nervous hands._ It feels just like i am interrupting action
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on the throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>
- How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption or destroying the pacing. For example saying: _he put sword en garde, watching his steel trembling in his nervous hands._ It feels just like i am interrupting action
#6: Post edited
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>- How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing. For example saying: _he put sword en garde, watching his steel trembling in his nervous hands._ It feels just like i am interrupting action
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on the throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>
- How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing. For example saying: _he put sword en garde, watching his steel trembling in his nervous hands._ It feels just like i am interrupting action
#5: Post edited
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>
How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing. For example saying: he put sword en garde, watching his steel trembling in his nervous hands. It feels just like i am interrupting action
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>
- How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing. For example saying: _he put sword en garde, watching his steel trembling in his nervous hands._ It feels just like i am interrupting action
#4: Post edited
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>
How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>
- How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing. For example saying: he put sword en garde, watching his steel trembling in his nervous hands. It feels just like i am interrupting action
#3: Post edited
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike _leaving himself open_ (analysis) to _final jab_(reaction). <p>- How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike, _leaving himself open_ ,(analysis) to _final jab_(reaction). <p>
- How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing
#2: Post edited
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike _leaving himself open_ (analysis) to _final jab_(reaction). <p>
How do I squeeze into this technique inner dialogue to create depth into analysis. I did several experiments and it is just feel like disruption on destroying the pacing
- I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment:
- * Action - analysis - reaction
- Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p>
- He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike _leaving himself open_ (analysis) to _final jab_(reaction). <p>
- How do I squeeze into this technique inner dialogue to create depth into analysis or show emotions. I did several experiments and it is just feel like disruption on destroying the pacing
#1: Initial revision
I am using, for action scenes, this three act format which allows me to control pacing and create order in hectic environment: * Action - analysis - reaction Johann _fired_ (action) his pistol and missed, he had _no time for reload_ (Analysis) and Frederick made quick decision _to draw steel_(reaction). <p> He _lunged_ (action) with his rapier, aiming straight on his throat. Johann barely parried the strike _leaving himself open_ (analysis) to _final jab_(reaction). <p> How do I squeeze into this technique inner dialogue to create depth into analysis. I did several experiments and it is just feel like disruption on destroying the pacing