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Q&A How to derive a first sentence from a story?

As you have already stated the most important part is to have the finished story ready so that you really know what will happen - plans are great, but they never survive the first contact with a be...

posted 6y ago by Secespitus‭  ·  last activity 5y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2019-12-12T23:01:23Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/35828
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T08:43:04Z (about 5 years ago)
Source: https://writers.stackexchange.com/a/35828
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by (deleted user) · 2019-12-08T08:43:04Z (about 5 years ago)
As you have already stated the most important part is to have the finished story ready so that you really know what will happen - plans are great, but they never survive the first contact with a beta reader.

Beta readers are an important aspect of finding out what fits your style. Especially because you have to find out what your general _style_ is. Do you always write long sentences and seem to love describing scenery? Then your first sentences should be long and describe the stage. Do you prefer short sentences, focusing on the actions of your characters? Starting with a fast scene might be perfect. Are you good at describing emotions? The feelings of your protagonist in the first scene might be a good starting point. Are you funny? A little joke might be a good icebreaker. Your beta readers can tell you what you are good at. Not what you _think_ you are good at - but what you really _are_ good at.

By making sure that you know what readers think the style of your book is you can make sure that potential readers can discern whether they like your style with a couple sentences. Don't write a long philosophical everlasting-principle-phrase when you want to get your reader on to a rollercoaster ride of emotions. Don't write a long beautiful scenery description if your focus will later be on the amount of ammunition left in the magazines of the people shooting at your protagonist. Don't write a short shout-out if you are later going for detailed descriptions.

Your goal is to set the stage and show your reader what to expect from your style.

Hooking your reader is worthless if they put the book aside two pages later because your style seems to have changed dramatically.

After that you have to think about when, where and how to incorporate this. You already have a "finished" book, but you can still add a sentence or two or cut some off. It depends on your work and in the end it's up to you to decide the specific details.

Maybe you planned to start with your protagonist thinking back to a heist that just happened and talking with others about what to do next, but your readers told you that the best parts were the action scenes. Why not start a few minutes earlier with the heist? You are trying to reach action fans after all - so give them action! The same obviously applies to other styles.

#1: Imported from external source by user avatar System‭ · 2018-05-02T16:57:42Z (over 6 years ago)
Original score: 3