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Source: https://writers.stackexchange.com/a/36182
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

I've been reading a book about a related topic and the author touches on this. They refer to James Bond as the example of this type of opening: the opening to every movie is a fast paced action scene, the ending to his most recent case.

And that's followed by the next goal, right away, him seeing M and having a new assignment.

Chapter 2 should anchor the MC into the next goal, right away, a goal which I believe is carried at least through Act I and maybe through the book.

In my own story, which is my first and I am a complete novice, Chapter 1 has a hook and a bang, and incites the character to a new course in her life. Chapter 1 is not the end of Act I, but it is a small inciting event. And i think that's what you need - the action in Chapter 1 to **incite** the events of Chapter 2. This means your MC may need to be more proactive in Ch 2 than s/he currently is. If your MC is going to be depressed, that depression cannot translate to the reader. It needs to be communicated without depressing anyone and in such a way that it serves a purpose to the next goal. There are things we do when depressed - make that work in your favor.

I just re-watched Inside Out with my daughter and Sadness is great at being utterly dejected throughout the entire movie and making us laugh at her depressed antics. So ... there are ways to show depression without being depressing, although a cartoon probably isn't what you are aiming for.

Original score: 6