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Source: https://writers.stackexchange.com/a/36730
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Source: https://writers.stackexchange.com/a/36730
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Great question!

A great difficulty here is that there's not really much in the way of "professional beta readers." Someone who's really _known_ for giving excellent feedback, and offers that as a service, is pretty much an editor of some stripe.

So aiming to become "well-known", "popular", or "respected" as a beta reader might not be in the cards (although it's not impossible!). And turning into something paid is... well, it's _really_ hard, because it's asking people to trust _and_ pay you, in an area where it's really hard to Show Your Work, and where you've got a lot of competition that's a lot safer.

But you can certainly become a _good_ and _busy_ beta reader. And that's pretty darn doable.

## Beta-Read on Online Workshops

This is something anybody can do. Sign up to [Critters](http://critters.org/), dive into [Absolute Write](https://absolutewrite.com/forums/forumdisplay.php?30-Beta-Readers-Mentors-and-Writing-Buddies), check out [Scribophile](https://www.scribophile.com/) -- all of these give an endless supply of material to beta-read. Some of them have even more: community, social connections, and/or guidance on becoming a better beta.

There is a catch: this is mostly going to be amateur work; often painfully so. For two reasons:

- _Most_ writing is amateur work. There are a lot more people who _want_ to be published authors than people who _are_ published, so you're going to have a lot of very unpolished material.
- Pro authors level themselves out of the big general slush pool pretty quickly. Basically, you find five people who (a) you get along with, (b) are happy to beta-read on occasion, and (c) you find helpful -- and you never have to enter the crapshoot of an online public workshop again.

BUT. If you're just getting started, then working with amateurs is _great_. It will let you learn. You'll be finding your feet, learning your own taste, and figuring out how to give feedback that's helpful, constructive, and clear.

And, the fact that _most_ of the work will be amateurish, doesn't mean you won't find absolute gems. I certainly have.

## Establish a Niche Where You Can Form Connections

If you are active in any community that's even partially related to writing, you can often do really well by making connections within a small, focused group, that would be much harder if you were just hanging out your shingle for anybody in the world.

If you have any particular hobbies or fandoms, _some of those people probably like writing_. If you are, as so many of us are, living in a particular geographical location, there are probably a whole bunch of writers nearby. Maybe they go to the library; maybe they already have critique circles you can join.

What's nice about these is that they're _personal connections_ that last much longer than the critique of any one manuscript or story. Make a good connection with one writer, and you'll probably get to beta-read a whole _bunch_ of their work. You'll be friends on social media, and see when they're looking for readers. When _other_ people are looking for readers, your friend can point them to you. Actual connections get you far.

## Hang Out On Bookish/Writerly Social Media

There is _so much of this_, and being involved will drop opportunities in your lap. People who _need_ beta readers will ask for them -- and you can volunteer.

Follow authors you love. Follow authors who say interesting things. Follow newbie authors writing about being a newbie author. Join social media groups for writers. I've gotten a _bunch_ of really interesting reads, just by following some awesome people, who pointed me at something interesting that one particular time.

## Consider Slush-Reading or Reviewing

Neither of these are the same things as beta-reading. But they _will_ work on the same muscles, and they'll also put you in the right arena -- meeting writers, establishing a reputation.

Slush-reading means reading unsolicited short story manuscripts for a magazine, and writing up comments to the editor. It's _much_ briefer and coarser-grained than beta-reading -- but it _is_ evaluating manuscripts, and even working with an editor (to some degree). Check out magazines (especially online magazines) in fields that you like. See if they're open for applications.

And reviewing -- anybody can open a blog and start reviewing. Gaining an audience is much harder. But you can start out for practice, and to build yourself a little online home-base. And, you might consider looking for existing, established sites which publish reviews. Again, a review is _very very_ different from a beta-read -- it's aimed at the readers, or at prospective readers, not at the author -- but it's still a very helpful skill to develop.

## Talk About Beta Reading

Let people know! Tell friends and followers that you enjoy beta-reading, and that you'd love them to send material your way.

_Especially_ tell this to writers you beta read, and _especially_ the ones you enjoyed working with -- they're likely to write something _else_ next, and you'd love it if they went right to you and wanted your feedback.

* * *

I hope this helps make sense of things, gives you a sense of options, and offers some concrete things you can do next. All the best!

Original score: 17