From your either-or phrasing, I understand that you're asking whether you should write something that appears "hot", but that you personally find utterly boring. How then do you propose to write such a thing? Do you see yourself sitting there, putting drivel on a page, fighting off boredom and disgust? What joy is there in such writing? What artistry? Do you respect yourself and that which you do, if what you write is of no interest to you? How can the reader find anything attractive in a work where you, the writer, find nothing? Are you treating your reader with respect, if you treat with contempt the story you give them?

The Hunger Games, and whatever was hot before the Hunger Games, and whatever will be hot after - when they emerged, they were all new, original, they were the books their writers would have wanted to read, found interesting to write, at their core were ideas the authors enjoyed mulling over and found something new to say about.
The works that came after, and seemed like copies, these too were written with love - by authors who wanted "more of the same", and failing to find it, wrote it. They were stories inspired by the first one, a response born of love.

You cannot tell a good story, unless you enjoy telling it. You've got to respect your work and your readers; if you find your story boring, you're not respecting either. Like a chef serving something he wouldn't eat himself. So write what you find interesting. If you put your truth into your story, there will be those who, like you, find it interesting.

posted over 6 years ago

CC BY-SA 4.0

Galastel‭

1885 reputation 81 551 319 3

Writing a novel means:

Planning, drafting, editing, submitting, finding agent representation, editing again, submitting again, finding a publisher, editing again, approving cover designs, typesetting, final proofing, pre-release advertising & reviews, and waiting for the publisher's release slot (which can be a year in itself).

If you try to write what the market is interested in, they'll have often moved on to the next big thing by the time your book hits the shelves. It's a REALLY lengthy process.

So no. Writing for the market is usually a mistake. It's like trying to catch the tail of a sprinting cheetah!

As @Galastel says, write what you find interesting, write from your heart and love every moment. It's a hard enough task as it is.

Enjoy and good luck!

posted over 6 years ago

CC BY-SA 3.0

GGx - Reinstate Monica Cellio‭

285 reputation 8 26 49 0

What is hot today will likely not be hot when you're done writing/revising/securing an agent/editing and then get published. Writing a book and polishing it (for experienced writers) takes about a year in the average-best-case. Securing an agent takes months to years. Once you've got an agent, securing a publisher can take months/years. Once you get published, you're in a queue that can take months/years. All in all, it's probably going to be 5 years between you writing anything and hitting the market. What was popular 5 years ago? Is it popular now? Will it be popular in the future? No one can answer the questions for the future, but its easy to see that markets shift quite a bit. Depending on who you talk to post-apocalyptic is either dead or it isn't; which isn't a great sign for the next few years for that genre.

It's advisable write what you enjoy writing, that you suspect can have mass appeal; but you likely don't want to chase the market as you will be behind on it, it will move, or it will be over-saturated with others trying to chase it.

Should is such a strong word; it makes it seem like there's a correct answer, but there isn't. Do what makes you happy and what you think will lead to success. Most of all do it well because people appreciate masters of their crafts no matter whether the subject matter is "in" or not. Do it well enough and you can make a new "in".

posted over 6 years ago

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Kirk‭

280 reputation 9 31 52 0

Write what you enjoy.

Even professional authors have written first books they couldn't sell, and even when famous wouldn't sell without rewriting them from page 1. It is difficult to sell a first novel (but not impossible, it has happened more than once).

If you are not writing something you love writing, chances are you won't sell it. Like it or not, your ambivalence or disdain for the story will come across to readers, you won't care enough to put in the hour of creativity it takes for every page to avoid the clichés and tropes and formulaic plotting. Readers can feel mechanistic writing, it lacks emotion because none is felt by the author.

If you don't love your story and are only interested in the money, this is a dumb idea. First novels often get advances of $3000 to $5000, and never earn them out. They typically sell less than 1000 copies in two years. For publishers, if they put out enough new books they make money on the best sellers; it is a matter of betting $3000 on ten books expecting nine losses and one $50,000 winner (plus relationships with authors that promise better results next time).

That is very much worth doing for the publisher, covering their costs and earning them a good salary, but it is actually not that great a bet for authors: 12 months of writing for $3000, total?

Bestsellers have typically struck a nerve in a new way, and it is typically only well-established writers known to already have a following that are going to be able to cash in by striking that same nerve. Not new authors with no following writing something derivative.

For new authors, it is very important to live on the near frontier: Not so original as to be opaque and difficult to follow, but also not so pedestrian that you are competing with established authors that do a far better job than you of pedestrian fantasy, mystery, romance, horror or whatever genre you write.

In other words, you must be original but not too original. Like Sanderson, writing very accessible Fantasy but with a new take on Magic Systems.

Like JK Rowling, writing a book accessible to children but with an adult-level mystery embedded in it.

Like Dan Brown, writing a typical puzzle mystery with a very original Setting (Church and Vatican lore), with Biblical figures as the topic of the mystery.

Like M. Night Shyamalan in The Sixth Sense, taking a pretty much traditional Medium that can see and talk to dead people, but imagining their early childhood, and settling on a young boy that doesn't understand his ability and is terrified by it. (The twist he found was awesome, but to me it was more important to wonder "What is a Medium's life like at nine years old?".)

Your best chance of commercial success is being original.

Your best chance of being original is writing what you enjoy.

posted over 6 years ago

CC BY-SA 4.0

Amadeus‭

3156 reputation 2 1399 613 37