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Source: https://writers.stackexchange.com/a/36911
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Source: https://writers.stackexchange.com/a/36911
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

I think transitioning to screenwriting is quite difficult, and it is considerably MORE difficult to break into than novel writing. The competition is greater, the "need to be an insider" angle is very prominent in screenwriting in order to get to pitch, which is its own acting art form to learn. The decision makers rely heavily on personal contacts and recommendations. Also the timing and terminology of screenwriting is extremely specific, literally down to the fraction of a page, **_especially_** for newbie authors.

It is also difficult to get used to the collaboration angle; the director decides many things you do not, and should not. The same goes for actors: They have a say, with the director, in portraying character emotions, stressing their words, etc. They may even revise the lines you wrote, the director may cut scenes you wrote, move things around in your plot, change your settings. You have to leave that leeway for them to explore.

I think the easiest way to get into screenwriting is to write a novel and get it published. Big sales or not. Write a good movie candidate (visual, sensory, action) that can be easily adapted to the screen, a novel you could easily see being a movie, and even being better as a movie.

This is more difficult if the novel has a lot of non-visual "mental" things going on, private emotions, introspection, thinking through problems, etc. A common complaint of directors (that write about screenwriting) is authors putting unfilmable or vague instructions in the screenplay: If you can't see it or hear it, it shouldn't be in there.

Write a short novel length story with the hope it will get optioned as a screenplay (and with an agent that knows how to negotiate that).

The movie will basically strip ALL your world-building and setting description (converted to visual images); and ALL your descriptions of people, emotions, reactions, movements and sounds and smells. These will be either visual shots, or 'telling' shorthand instead of 'showing': Often it is the screenplay writer's job to 'tell' in plain language the director and actors what to 'show'. [e.g. "it stinks."].

So make sure your plot and characters are solid. What you describe in the novel is the movie you see in your mind's eye. Let a pro pay you for that story and convert it into a screenplay.

Original score: 6