Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

50%
+0 −0
Q&A Third Person POV: What level of telling is acceptable for character motivation?

Please understand that "third person limited" and its ilk are categories of analysis applied to works after the fact by those who find it entertaining to categorize everything. They are not rules t...

posted 6y ago by Mark Baker‭  ·  last activity 5y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2020-01-03T20:41:58Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/38209
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T09:36:21Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/38209
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by user avatar System‭ · 2019-12-08T09:36:21Z (almost 5 years ago)
Please understand that "third person limited" and its ilk are categories of analysis applied to works after the fact by those who find it entertaining to categorize everything. They are not rules that you are obliged to follow. You are not obliged to pick one box and stick to it.

Also note that the only means of showing in a novel is telling. In a movie, you can literally show things by filming them without commentary. But on the page, everything is told because everything is words. If show don't tell means anything on the page is means to show the reader A by telling them B. Thus you show them that the character is sad by telling them that tears are running down their cheeks. But telling -- telling that tears are running down their cheeks -- is the instrument by which showing is achieved.

But you can't do this for everything. It would get to be unbearably tedious. If a picture is worth a thousand words, a viewer can take in a picture, and all it tells, at a glance, but it takes quite a long time to read a thousand words. If you want someone to get something at a glance (because your pacing depends on it, or because it is a supporting detail for something else that your are trying to show) you can't spend a thousand words on it, you have to tell it directly. And this includes saying "X felt sad" when that is an incidental detail that leads to something else.

Telling has the virtue of economy. Showing has the virtue of engaging the reader in forming a conclusion for themselves. The economy of telling is essential to setting up the reader to see certain key things for themselves. Showing, on the other hand, creates an incident to which subsequent telling can refer to retrigger an emotional response economically. All teling is a reference to what has been seen or show in the past.

Showing and telling are not opposites; their relationship is iterative and supportive. You need both to write effectively. As there is a time to reap and a time to sow, so there is a time to tell and a time to show, and the only means of showing is to tell.

#1: Imported from external source by user avatar System‭ · 2018-08-08T12:15:42Z (about 6 years ago)
Original score: 4