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I don't want to make it too obvious before the reveal. OK, question: why not? Consider the fundamental structure of a plot twist, or a reveal. It's usually either: Reader is expecting A; ha...
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Source: https://writers.stackexchange.com/a/38379 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
> I don't want to make it too obvious before the reveal. OK, question: why not? Consider the fundamental structure of a plot twist, or a reveal. It's usually either: - Reader is expecting A; has been building up the understanding that A is true. Finally, we find out that A isn't true at all. - Reader was not anticipating B -- when B is revealed, it explains a whole bunch of things that were unclear (or misinterpreted) before. Please note that merely revealing some random snippet of information -- however unanticipated -- doesn't make the reveal significant. Imagine that in the third act, my protagonist dramatically reveals that his mother's name was... Martha. Is this a big reveal? You hadn't _known_ her name was Martha; you weren't _expecting_ her name to be Martha. But... the reader also don't _care_ what the mother's name was, unless the story has built up some reason for that particular detail to be important. So you can't structure a big reveal merely by the information that's going to be revealed. You also need to build in the reasons why that information is _important_. Why is it _important_ that your character is bisexual? What effect does it have? How does it change our understanding of the character, of the plot, of the story? If it changes nothing, than there's no reason to keep it a secret. Just acknowledge it from the get-go, and be done with it. No need to turn the existence of non-hetero sexuality into a story arc. If it _does_ change something, then _that's_ where your clues go. Here's some examples, in which I am naming your bi character 'Marcie': - Maybe Marcie's bisexuality is important because her female friend Alice is getting feelings for her. Then, one hint might be that Alice finds Marcie surprisingly understanding of her own experiences as a lesbian -- even though Marcie's straight (or so Alice assumes). - Maybe it's important because Marcie is the daughter of a great noble, and everyone sees her as the "safe" child who will surely beget her family a heir. The possibility of her pursuing a same-sex relationship instead has been conveniently dismissed. Here, hints might be intimations that "she's not as safe as all that," hints of relationships her family might have disapproved of, anticipation of upcoming ruckus. - Maybe it's important because Marcie's friend, Kent, thought he knew everything about her. Her keeping this a secret from him... it's like he never really knew her at all! Here, hints might be Marcie's discomfort with Kent's assumptions, or signals she's deliberately hiding something from him, which seem completely out of character for her. These are just examples; you'll tailor your solution to your own story. The important thing is how the particular reveal you're going towards, points you at what hints are appropriate to use. But if it's the plain fact of the character being bisexual that's meant to be a shock, I do urge you to reconsider. "Marcie is bisexual" shouldn't be a shocking statement, any more than "Marcie is Jewish," "Marcie is diabetic," "Marcie is straight." They all _can_ be significant, but they're only appropriate _as a reveal_ in very particular circumstances -- treating the detail as **inherently** shocking is kind of belittling, even though I don't think you mean it that way! Best of luck :)