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Q&A Are chapters with a single character inherently more difficult for an average reader to connect with? (And do you have any tips.)

Are chapters with a single character inherently more difficult for an average reader to connect with? And why that should be? I mean, I don't have the average reader preferences (nobody has, proba...

posted 5y ago by Liquid‭  ·  last activity 4y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2019-12-13T11:56:47Z (over 4 years ago)
Source: https://writers.stackexchange.com/a/38404
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T09:39:36Z (over 4 years ago)
Source: https://writers.stackexchange.com/a/38404
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by (deleted user) · 2019-12-08T09:39:36Z (over 4 years ago)
 **Are chapters with a single character inherently more difficult for an average reader to connect with?**

And why that should be? I mean, I don't have the average reader preferences (nobody has, probably, and we could discuss who is your average reader depending on the genre and the demographics) but there is no reason why single-character scenes should be more difficult.

You are absolutely right when mentioning dialog: it is a great way of keeping a scene dinamic and interesting. _When done right_.

But ultimately you have to be good at writing dialog and dialog must be consistent with your character to work out well. A poorly written dialog can be perceived as stiff, useless or just unimportant, and the "average" reader will bore through it anyway. So, your question can be turned around completely: **isn't a well built, single-character scene easier to write?**

My point is that for both things there are requirements to meet and pitfalls to avoid, depending on the plot points, the situation and the characters involved. It also tends to depend on the kind of writer you are: someone is more apt to dialog scenes, where someone else is more prone to long single-character scenes and descriptions (I remember someone mentioning H.P. Lovercraft as one of the latter kind of writers).

There are differences in readers too, of course. Some will enjoy your single-character scenes as your protagonist struggle in the wilderness. There is no point in forcing dialog in a scene if you, as writer of the story, feel no need to.

You have to trust your internal narrator telling you that's the way the scene is meant to go.

**On a side note** , regarding your problem with your feedback-givers not feeling attached with the main character, I'd give it time. That's not exactly a sign of lacking a dialog scene. Personally, I rarely grow fond of a character overnight, so unless your chapters are 50 pages long each, I wouldn't lose my mind over it.

#1: Imported from external source by user avatar System‭ · 2018-08-20T09:20:31Z (over 5 years ago)
Original score: 2