How to write female characters with agency?
I'm attempting to write a novel, an historical fiction with a small fantasy component (time travel through a portal). The travelers (main characters) are a young couple from the late 23rd Century who are (without preparation or intent) transported back to the late 14th Century. The setting is Venetian-ruled Croatia, though that has little to do with my question.
In my version of the late 23rd Century, at least in the part of the world where these two were raised, is what we might call "post woke"; the mentality of people in their time and area is one of equality, acceptance of differences, and egalitarianism. As such, the male half of the couple struggles with the notion that, in order to blend in to the 14th Century, he has to do things like hold doors for women. This is a simplistic description of what he goes through, but it should suffice here.
Which brings us to my struggles (as a male writer) with writing the female character from her own POV. She's a modern woman of the 23rd Century, albeit young (twenty years old). She can take care of herself, and eschews the idea of needing a man in her life to do much of anything for her save perhaps lifting large, heavy objects. She is, however, feminine, and I'm... not. So I don't have confidence that I can write a female protagonist who has agency without sounding like "a dude writing a chick".
So what tips do you have for writing properly feminine female characters who have agency? I'm particularly interested in hearing from women writers, though tips from anyone are appreciated.
I'm primarily concerned with her internal monologue. How does she think about the world she sees? This is most evident, of course, when she's thinking about how she feels about her counterpart, the male lead. But also her interactions with other characters, in particular other females, should be considered. I may be going overboard, but I really want to make this character "real".
Update: This makes me more than a bit nervous, but I've decided to include a link to my working document on Google Docs with comments enabled for anyone that wants to read what I've done so far. My goal is to get the base story laid down in the first draft (the main events, etc.), then go back and re-write for things that I'm asking about here. If you choose to comment, please make them constructive. Thank you to anyone who chooses to do so.
Men and women often take a different approach to solving problems. What I'm guessing is that you've got a great opportun …
6y ago
I think that one fundamental question has to be answered (implicitly in your mind, not necessarily explicit in the novel …
6y ago
Both of your characters will have problems that should be intriguing. He will be an unknown man in an area where travel …
6y ago
While I'm not qualified to advise you on this specific question, I do have some good general advice. Start by doing some …
6y ago
Woman here. :) I think what your female character would struggle with most is that suddenly she does need her man besid …
6y ago
On "Jo Writes Stuff", Jo has produced an epic analysis of whether or not a character is a "strong female character"; and …
6y ago
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On "Jo Writes Stuff", Jo has produced an epic analysis of whether or not a character is a "strong female character"; and a test to go with it. Here is her instructions on How To Use The Test.
She has stopped any new analysis, but here is a list of All The Characters She Reviewed.
I believe this can help you with some of your issues; just writing a post-woke female character.
For the most part, other than sexual attractions or attentions, I think in the 23rd century the answer is to write female characters and male characters rather similarly, but NOT as women becoming like men: More like meeting in the middle, or both sides going to some extreme.
For example, consider makeup: One route is to eliminate it; women no longer need it in the post-woke society. But the other route is to make it universal: Your male character may have some trouble in our modern time, because like all men of his time, he doesn't usually go out without makeup. (The same was true for men in some royal courts a few centuries in our past).
Your guy might have acquired many habits and attitudes we might consider "feminine", and what we consider acceptably "masculine" today may come to be considered just rude in the 23rd century. Like men interrupting women, or clerks and managers speaking exclusively to a man instead of to both the man and woman.
-- Edit in response to comment:
Men interrupt women 2-3 times more often than they interrupt men. Women interrupt men and women equally, and less often. See This academic study specifically on conversational interruptions (results are on journal page 430), and see popular articles Why men are prone to interrupting women in "Women in the World" 03/09/15 and The Universal Phenomenon of Men Interrupting Women in The New York Times 06/14/2017.
The phenomenon of men that need to address a mixed gender group (or couple) beginning their conversation with a male of the group is similar; male gender is treated (on average of course) by men throughout society as a mark of higher status / power; almost regardless of actual status / power. To be clear, they don't refuse to speak to a woman, it is just that in a mixed-gender group, they generally choose a male in the group as the "leader" to speak to when addressing the group, far more often than they will choose a female within a mixed group.
This is a form of status bigotry, which post-woke society would likely not engage in: They would use other gender-less cues to choose a "leader", like some combination of age, grooming and bearing, or they would ask to speak to somebody about X, and talk to the person that stepped forward.
Back to interruptions: Female politicians, business leaders and judges are interrupted more often than their male counterparts. Again this is a "bro-culture", women attempt to interrupt both men and women equally; but have fewer successful interruptions with men: The men being interrupted are more verbally aggressive against women that attempt to interrupt, and men in a group are more supportive of that aggression against a women interrupting, than they are if another man had interrupted.
-- End of Edit --
Or on the flip side, your male may be just as motherly and devoted to kids, and know everything there is to know about childcare and raising children, and doesn't defer to women in the least in that respect. In his time, men are expected (by both other men and women) to be full and sensitive participants in childcare.
For the most part, I would just have your 23rd century people not perceive any difference between interacting with men or women. As a psychological trick to help you do that and get past your own cultural bias, she responds to and speaks to men as a modern woman would respond to and speak to another modern female stranger, saying or doing the same thing: Gender makes no difference to your time traveler. The opposite trick for your time traveling man: he responds to and speaks to women the same as a modern man would respond to and speak to another modern male stranger.
And though they are a couple, they engage with each other as friends. If you intend to have romantic or sexual scenes in the story, make them equally desirous.
There is seldom a need for designing a "strong male character", But I'd use Jo's checklist in the same way. Here are her questions; the link above has details on what you should consider for each question.
- Does the character shape her own destiny? Does she actively try to change her situation and if not, why not?
- Does she have her own goals, beliefs and hobbies? Did she come up with them on her own?
- Is her character consistent? Do her personality or skills change as the plot demands?
- Can you describe her in one short sentence without mentioning her love life, her physical appearance, or the words ‘strong female character’?
- Does she make decisions that aren’t influenced by her love life?
- Does she develop over the course of the story?
- Does she have a weakness?
- Does she influence the plot without getting captured or killed?
- How does she relate to stereotypes about gender?
- How does she relate to other female characters?
Good luck.
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I think that one fundamental question has to be answered (implicitly in your mind, not necessarily explicit in the novel), and it is this: are men and women on average different in their psychologies (in your fictional world)?
You said that "she is feminine," but you have to figure out what "femininity" means. One option is that of @Amadeus:
Wouldn't most of what we think of as being "feminine" either disappear, or be universally adopted by both genders? I don't think there is much about "femininity" that is inherent in having female body parts. I think nearly all of it is a learned product and attitude of current culture.
For reasons that are off-topic to this question I find this position completely anti-scientific, but it is certainly a possibility in your fictional world. If this is the case, then all these gender roles would be completely foreign to both the man and the woman.
Another possibility is that there are differences (in your fictional world). You describe your "post woke" attitudes as:
the mentality of people in their time and area is one of equality, acceptance of differences, and egalitarianism.
This means that your futuristic people would accept differences between men and women, not look down upon the fact that they are different. This means that even in the futuristic world, there would be certain traits that were considered "feminine" or "masculine." Not in the sense that they are enforced, but simply in the sense that they are more common in one sex. A trait being "feminine" or "masculine" would not be seen as either positive or negative, it would be purely descriptive.
If there are differences between men and women, then this has tremendous implications for how the protagonists would react to experiencing the past. They would likely simultaneously abhor how these gender roles were enforced upon people, and that people lacked freedom to pursue their individual goals, but they would also recognize similarities with their own world.
Let's take a purely hypothetical example. Imagine if even the futuristic world that it was still be the case that women did most of the direct childcare. In plenty of couples it might be that the man did most of the direct childcare, but it was still much more common in relationships that it was the woman. This reality was not due to enforced roles, but rather because couples divided labor in ways which made both happy. If this is the case, they would react badly to the strict enforcement of this role, but they would not be surprised that, if there were any gender roles, that this would be one of them.
As for writing a female character that has agency in this world; I actually don't think that's too difficult. A character with agency has the following traits: they have their own personality, interests, goals and desires, and they behave in a way that is informed by their personality. They take actions to pursue their goals. There may be many obstacles in their way, such as the gender roles in the past, but this means that they would react negatively to those unfair obstacles. They would try to achieve the best they could, given their circumstances and given their personality.
It is possible that your female protagonist has many classic feminine virtues; for example, she may actively enjoy childrearing and cooking. However, being robbed of the choice would still not make her happy. All of us have various goals and interests, and whenever she wanted to spend some time on some of her other interests, she would feel dismayed by the fact that she had to spent time taking care of children, say. But it might be that she would find it amazing that all the other women in the town had all these tips and tricks for making cooking easier (which is one of her interests).
Given that your female character has agency, you need to consider how she would ultimately react to this situation. This depends on her individual personality. Some people ending up in her situtation would be loud and start demonstrating publicly. Some would be slighly less loud, but they would perhaps still chat privately with the other women regarding how unfair some of these roles are. This might still proliferate with the other women also starting to complain, and this might eventually lead to protest. It might also be that she is more careful in her personality. In this case she might not protest out loud, but she will try to avoid/escape from bad experiences. Does she, perhaps, actively try to avoid specific people who are particularly bad with regards to their gender attitudes?
Just think about what she would do, given her personality, and given the situation.
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While I'm not qualified to advise you on this specific question, I do have some good general advice. Start by doing some research in the form of interviews with someone who resembles your character (it doesn't need to be a writer).
Obviously you won't (probably!) find a time traveler, but you can talk to young women in male-dominated fields. You can also talk to older women about what it was like to be young in the (presumably more sexist) past, or women who have lived or traveled in more "traditional" parts of the world. You can also read work with strong female characters by women writers and see what choices they make. Doing the research is a good general strategy for writing characters with demographics that don't match your own.
A really good resource for you would be the book Kindred by the science fiction writer Octavia Butler. It is written from the POV of a modern young woman transported through time, against her will, into the life of a slave woman in the pre-Civil War American South.
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Men and women often take a different approach to solving problems. What I'm guessing is that you've got a great opportunity to show how the 14th century man has expectations of him which he may not be prepared for, and the woman has to learn different ways to achieve her goals. Speaking in public as if there are 'obvious' truths would be a recipe for disaster. On the other hand there are plenty of examples of powerful Venetian women you can look at and use their techniques. Family ties were very important. Loyalty, and showing allegiance, or feigning it, are crucial elements. You have to go to church, get told the sun goes round the earth and shut up no matter how 'obvious' the alternative is. Straying from the party line is plotting which is a dangerous game. Men and women would probably have different (exclusive) forums for debate and communication.
You've got an interesting situation of compare and contrast to play with. A comparatively tall, fair-skinned, disease-free woman would soon attract suitors whether she wanted them or not. Lots of possibilities for you to explore her evolving reactions.
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Both of your characters will have problems that should be intriguing. He will be an unknown man in an area where travel is unusual except for the wealthy. Strangers can be viewed with suspicion or adopted, depending on whom they encounter.
Considering she is in a society that now views her as a non person, she will be shocked and confused, probably hurt to have her value measured by her presumed husband. She will lose her voice to all but her companion and will struggle to understand why.
Raised in an egalitarian society, possibly communally, she does not normally concern herself with thoughts that her colleagues do not. She has ambitions, perhaps she wishes to pursue the sciences or medicine - which was a feminine skill in the Middle Ages.
She will see women and think of them initially as any other person. She will address men and be chided for such presumption. Her presumed mate will find himself in trouble for failing to control his property.
She might come to resent her companion, unable to show herself without his presence.
She could also be someone who studies sociology and remembers reading about strange tribes where women were treated as things. She might come to study these strange specimens and understand their society better than her companion, who might be a dance instructor or artist.
Focus less on her gender, know that she is willful and wily and will survive. She might be the one who figures out how to return, sending her companion on errands to fetch the required ancient version of what she needs to get them home.
He might start to kind of enjoy his new status, unless they are perceived as peasants or serfs, in which case neither will have much cause for enjoyment.
This post was sourced from https://writers.stackexchange.com/a/39306. It is licensed under CC BY-SA 3.0.
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Woman here. :)
I think what your female character would struggle with most is that suddenly she does need her man beside her - for safety, for being treated a certain way by other people, etc. It doesn't matter how feminine she was in the 23rd century, it doesn't matter if she liked cooking and staying at home and having doors opened for her, being suddenly deprived of the choice in the 14th century is going to hurt.
So how is she going to maintain her agency when the setting actively deprives her of it? There are two elements you can consider.
First, sometimes a strong character is deprived of agency. A POW isn't suddenly made a weak character by virtue of being deprived of virtually all agency, confined and abused. After becoming a POW, the character would be faced with a question - "what next?" They'd have to make a choice, pick a goal, be it "escape" or "survive" or "lead a rebellion", and then they'd be struggling to achieve that goal.
Same for your female character: her freedom has been considerably curtailed. What next? How does she choose to respond to the new situation? Whatever active choice she makes, whatever goal she picks, as long as she gets that choice - she has agency. I'd elaborate more, but @Amadeus has said it all, better than I would.
Second, and that comes after the first point, not instead, you could do some research. There were strong independent women in medieval times. Doña Gracia is my favourite example. There are others. Find out how those women came to hold prominent positions, what they had to struggle with, and what systems were in place to allow them to rise to where they did. Doña Gracia dealt with Henri II of France, Holy Roman Emperor Charles V, Popes Paul III and Paul IV, and Sultan Suleiman the Magnificent. All those prominent men accepted her as someone who one could, and should, have dealings with.
Armed with this knowledge, and depending on where you want to take your plot, your female character could become formidable indeed.
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