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In both scenes, this seems like for women, all roads lead to romance with men; that this is the only thing they are good for. Or in the second scene, the only reason these women are together in the...
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#4: Attribution notice removed
Source: https://writers.stackexchange.com/a/39945 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
Source: https://writers.stackexchange.com/a/39945 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
In both scenes, this seems like for women, all roads lead to romance with men; that this is the only thing they are good for. Or in the second scene, the only reason these women are together in the first place is related to child-care. You do not need women in a story to talk to each other in order to make them actual human beings. You just need them doing something that has nothing to do with sex, romance, dating, or in general mating, reproduction or child care. Why can't the two women be at a political rally or something (not for anybody related to them)? Why can't they be at lunch discussing a new business project? Why can't the friends be an architect and an attorney? I'm not saying women never engage in any of their stereotyped female roles, the world is filled with real soccer-moms and housewives, and women that love to shop and talk fashion, and do all the grocery shopping. But if you want to pass the Bechdel Test (or if you want to write a realistic book, **period** ) then your characters -- including both male and female, black and white, gay and straight, adults and children -- will not fit neatly into their stereotyped roles. They will have other unique interests that are not part of their stereotype, and will have conversations with other people about those interests, and take actions to pursue their interests. If you need an excuse for friends to have a conversation, give them some mutual interest in a topic or activity enjoyed by both men and women. Typically conversations in a novel (or movie) exist to impart some kind of information or an idea to another character, sometimes they provide inspiration on how to tackle a problem. Keep your focus on that, and avoid cliché settings to get this done. Break free of the stereotype, or even use an anti-stereotype. It may take imagination, but that's the job of a writer.