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Source: https://writers.stackexchange.com/a/40150
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Source: https://writers.stackexchange.com/a/40150
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/

Different writers give different advice depending on what bit them the hardest when THEY were learning to write.

Every beginner has different strengths and weaknesses, the same goes for beginning writers. So they tend to give advice on what they found difficult when starting out, and tend to have less advice on the tasks they found came easily. If they are a natural at dialogue, they probably don't have much advice on that, because naturals are often going by feel or sound and haven't formulated any good rules for making dialogue sound natural: To them, **it just does** , or it doesn't and they fix it.

The same thing goes for plotting, poetic description, turns of phrases, and so on. The same thing goes for whether they feel they need to rewrite many times, or if when they re-read it all sounds perfectly fine to them.

I am a discovery writer, so I don't plot, I don't do "character interviews" or even figure out what my characters LOOK like exactly. I have no checklist of character traits to assign up front, I figure it all out as I go along. I throw a lot out, I rewrite a LOT, I probably write at least twice as much as I publish.

But my approach is not for everyone.

Most advice you will get is idiosyncratic to the author. It may or may not apply to you; figure out what problem the advice would solve, and assume the author had that problem and this was the solution she found that worked for her, but presented as a universal truth (which it often is not).

Advice is like a jacket or pants, you have to try it on and see if it fits. And always remember, just because somebody is wildly successful does not mean they know how they got there. Sometimes they were just lucky, and sometimes they are just naturals working by subconscious rules they cannot explain; their only true lesson may be, "When my writing sounds right to **me** , then it sells." In other words, what they know (or just are) is not always transferable knowledge.

Original score: 2