Needing Help Fleshing Out Male Character So He's Not Just a Stock Character
I have been working on a fantasy novel for the past twelve years, during which time there have been drastic changes. The most drastic being that I decided to cut out the first third of the story, as it was mainly flashbacks and backstory, and will just both mention bits and pieces into the actual story, and possibly have this as its own standalone story.
In the flashbacks/background story, the male protagonist comes from a wealthy family (who earned their wealth through magical and deceptive means, so their reputation about town is not the best). Whereas the female protagonist comes from poverty, moved to the city, and experienced much trauma while trying to survive. She has a chip on her shoulder about those who are wealthy. He was a womanizer back in the day, but when he met her, he realized she was "The One" (this is very simplistic, but this will do).
The back and forth and chemistry between them is quite powerful, but I realized it didn't really serve the story, as it's not so much about them as their child (although they are very prominent characters. And since then, the mother still has her abrasive, fiery attitude, and is quite overprotective of her son, but the father has seems to just be someone in the background. I've had trouble figuring out what it is that he does as he doesn't need to actually work.
In my mind, he is mysterious, calm, paternal, and some of the things that he has been doing behind the scenes will be revealed in the next story, but how do I incorporate these into the story?
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Give him his own arc.
(I am amused that the gender here is the reverse of what's been a problem for a long time, but the advice applies to any character of any gender.)
In the 2017 Wonder Woman film, Steve Trevor is Diana's love interest, but he has his own arc. His job is to be a spy: To spy on the enemy, to find out what they're doing, to report back or stop what they're doing to help the good guys win the war. When he finds out what they are doing, he ends up stopping them, at the cost of his own life. This arc could have happened if he was not lost on Themiscyra and did not meet and fall in love with Diana.
So give your Dad his own arc. It can be as simple as self-reflection: he knows that he didn't come by his family wealth honestly, and he decides that he doesn't like it, so he needs to do something to make him feel like he has earned money/his position/his wife/his children/his household etc.
Give him a goal (whatever relationship or thing he feels he doesn't deserve) and have him working on it throughout the story. He doesn't even have to reach his goal; failure is also a result, and can tell us about the character.
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When you are trying to flesh out the personality of a character, then a good technique is to write a "character interview". A character interview means that you are asking your character a couple of personal question and then write down how your character would answer them. This interview is not meant to be published. It is just an exercise for yourself which forces you to look at your fictional world through their eyes and fill in the gaps about them you weren't even aware of.
Some questions you could ask your character are:
- His past:
- What was his relation to the other members of his family while he grew up and how did these relationships affect his personality?
- How was he educated? What are his areas of expertise and which are the topics he knows very little about? How does his education affect the way he views the world?
- Which were the most important events in his past which formed his personality and his world view?
- You say he was "a womanizer" in his past. How did these relationships go? What did he want to get out of these relationships (companionship? sex? recognition? self-esteem?) and what did he actually get from them? How did the experiences he made through these relationships affect his views on love and women in general?
- His views and opinions:
- What is his opinion about the way his family became wealthy? How does he feel about using unethical methods? Does he feel bad about it or does he have a moral justification for their actions?
- What does he feel when people mention his families bad reputation? Shame? Anger? Indifference? Maybe even pride?
- What are his opinions about all the other characters in your story? Why does he hold these opinions? How would his opinions change if you would tell him those things about the other characters he doesn't know?
- What is his opinion about all the other "big questions" your story is asking?
- What would need to happen to make him change any of these views?
- The motivations for his actions:
- What does he want? What are his goals in life? (besides the female protagonist, of course. When getting together with the protagonist is his only motivation in life, then you are either writing a very shallow romantic interest or an obsessive stalker)
- What drives his actions? Extrinsic pressure (what others expect him to do or what the situation he is in forces him to do) or intrinsic pressure (what he wants to do)? How does he react when extrinsic and intrinsic pressures are in conflict which each other?
- What kind of activities does he enjoy or loathe?
- What are his greatest fears?
The primary purpose of this exercise is to force yourself to think of your character as a person and how they became that person. Not everything you make up during the character interview must necessarily be mentioned in your novel. It is mostly supposed to help you find the hidden depths of a character. Nevertheless, if it results in a couple of interesting ideas for sub-plots, then that can be a neat by-product.
This post was sourced from https://writers.stackexchange.com/a/40378. It is licensed under CC BY-SA 3.0.
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There is lots of potential there. The male protagonist is clearly conflicted and will learn to see his own family and upbringing with different eyes. The relationship with the female protagonist will transform him. That will also change what he envisions his son to become like.
Then there is the classic loyalty conflict between parent family and partner/own family; he will have to choose. Mabe he'll have to betray his father to prevent great injustice? Leave the reader unclear whether he'll do the right thing — it's not easy for him! Realizations are painful if they shatter assumed truths. Perhaps he'll even make the choice to forfeit his inheritance? He may have to work for a living, a whole new experience... although that may be too much change this late in the writing.
Generally we are interested in how our protagonists navigate the challenges of life, and how their experiences and their relationships with people change them. Great literature displays their protagonists not as static but as dynamic entities who are transformed, for better or worse, in the course of events.
Your setting opens a great space for such dynamic character development.
This post was sourced from https://writers.stackexchange.com/a/40380. It is licensed under CC BY-SA 3.0.
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