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A complaint from readers if description is not sufficient goes something like: "It felt like floating heads were talking in a white room." Readers wish to feel grounded. You don't necessarily nee...
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#3: Attribution notice added
Source: https://writers.stackexchange.com/a/41816 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
A complaint from readers if description is not sufficient goes something like: "It felt like floating heads were talking in a white room." Readers wish to feel **grounded**. You don't necessarily need to do this with external detail and description (but there is a quick work around for that, below the first quote box). You can instead do it with internalization, ideas and reactions, and so on. Instead of describing the castle, for example, describe the person's _response_ to the castle: > It was like being alone in a cave. So big, with nothing to to focus on, nothing familiar, nothing comforting--just open space and hard surfaces. It made him nervous to even be there. He hesitated to make any noise at all, afraid the sound would echo. That's mostly internal stuff and vague externalities, but it grounds the reader. You want the reader to be grounded more often than not. Now, if you decide what you want is external detail and can't picture it in your head, simply pull up an image online. Google image 'castle' and you will see the following details without any imagination needed: > Soaring turrets, ivy draped stonework, softened edges--perhaps from centuries of rain, narrow windows occasionally dotting the walls, grey and brown brick ... Those are details from the outside of the castles, but you can specify inside a castle in your search. This is a similar trick to the common advice regarding dialog--just pay attention. Listen and look and take notes. You are allowed to do this. :) You are allowed to use tools like this, especially if it helps you reach a better story.