Writing short stories in an original world setting [closed]
Closed by System on Feb 13, 2019 at 17:11
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I'm writing short stories in a Fantasy world setting I have created — medieval times, magic, dragons, etc. People who are familiar with such a world may not find a problem reading a short story set in an unknown world. Since short stories are usually very condensed and precise, I'm torn about the amount of knowledge I should include about the world. Should I show more than usual? I do not intend to write a novella.
So my question is:
How much setting information should I include in a short story set in an original Fantasy world?
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@Liquid's answer is fantastic, I would add just one thing.
Create a Beginning That Immerses the Reader In The Setting
Since this is a short story you want to set it up as quickly as possible.
A number of things will help pull your reader into your setting:
- Strong story title
- Early, specific setting details
If your title is created properly readers are going to immediately understand that it is a fantasy and has a specific type of setting.
Specific Details
Concentrate on your intro sentences and show something that will provide the reader with a definite understanding of the setting.
A large shadow raced over Zelda and her right hand went to the hilt of her sword as she shielded her eyes from the bright sun and looked up. Fleekle the dragon had found her. But how?
I'm sure you can do much better than that simple example, but notice that I mention the sword, the dragon, etc those small elements are enough to let the reader get an idea of the setting.
This post was sourced from https://writers.stackexchange.com/a/42142. It is licensed under CC BY-SA 3.0.
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Short answer:
You should write just as much as necessary, and nothing more.
Short stories are supposed to be like that - short. Even if it's a fantasy setting, maybe a wildly elaborate one, you should not describe more than you need to bring the short story to an effective, satisfying end.
Any information you give should serve at least one of those purposes:
- Allow the reader to understand what happens, or
- emphasize something about the theme of the short story.
Point one basically means that you can't pull important informations on the setting without having them introduced, first. Let's suppose you're writing a short story about a warrior exploring an unknown dungeon. He stumbles on a chest and tries to open it, expecting to find some treasures, but - surprise surprise - there's a magic trap inside and he bursts into flames. While that would be quite a big shock for the audience, it wouldn't be satisfying if you have not hinted at the existance of magic in the world.
In other words, all the elements that come to play in your short-story arc should be somewhat understandable to the reader.
Point two is about something more subtle. Let's say that the underlying theme of your short story is greed or proto-capitalism in your fantasy setting. Then maybe it would be interesting to talk about the guild system in your world, the trade routes, the kingdom's taxes, the slave-runned gold mines ... you name it.
Maybe those things don't come into play into the plot per se, but they add relevant flavour. A character may just stop and think: The elf had a thick layer of sweat on his brow, like a slave after a long day mining gold for silk-gloved hands.
Ask yourself: what's the point of my story? What is the theme?
Remember: you don't have to "explain" everything. Most of the times, hinting at something is enough - the audience is smart and will connect the dots. You don't have to stop and tell how everything works, everytime.
What you want to avoid at all costs is useless exposition. You may feel the temptation to show the readers how cool your worldbuilding is: try to resiste the urge. No one cares if you've got the most fantastic magic system in your story if it doesn't come to play, or it doesn't help making a point.
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