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I say don't censor your "discovery" -- include the names of everyone -- they may come back in later, or you may want to explore their story in a specific vignette. (I'm thinking of Neil Gaiman's Sa...
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#4: Attribution notice removed
by
System
·
2020-02-10T14:22:55Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/42815 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added
by
System
·
2019-12-08T11:05:04Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/42815 License name: CC BY-SA 3.0 License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision
I say don't censor your "discovery" -- include the names of everyone -- they may come back in later, or you may want to explore their story in a specific vignette. (I'm thinking of Neil Gaiman's _Sandman_ story "24 Hours" -- takes place in a diner, and most characters in it we never see again.... but later there's a link between a diner-character and a new character.) BUT... **editing** is where you decide if the names are worth keeping. Sometimes it'll add to the atmosphere (a waitress named "Hilda" vs "Ginger" vs "Mei"). Many times, you'll find that for the core story, there's no need for that level. (She still IS Marabeth, off having her life, but that's off page, and for THIS page, she's just The Waitress, and that's ok.) I'm a big believe in icebergs -- 9/10s underwater. So if you're a discovery writer, you're building up the entire iceberg by exploring the formation of it ALL, but then editor-you gets on a boat, and sees from a distance only the small portion that will be needed within the book.
#1: Imported from external source
by
System
·
2019-03-01T14:36:33Z (over 5 years ago)
Original score: 11