What to call a nameless character in a 3rd person narrative?
How do I present a nameless character in a 3rd person narrative who has never known his parents? And has never had extended human interaction with anyone long enough to even be called “Boy” or “Child.” What would the narrator call such a character (until he has a name)? Can anyone provide examples? The only thing I’ve thought up is “Nameless Boy” and other simple titles along those lines.
The important word here is "the." All of us use "the" to reference people whose names we don't know. We'd never say "t …
5y ago
I would agree with Bella Swan - you can just call him 'the boy' unless there are other characters present who would fit …
5y ago
More than one author has struggled with the same problem before. There is a Russian children's story about a dog named ' …
5y ago
This post was sourced from https://writers.stackexchange.com/q/43348. It is licensed under CC BY-SA 3.0.
3 answers
You are accessing this answer with a direct link, so it's being shown above all other answers regardless of its score. You can return to the normal view.
The important word here is "the."
All of us use "the" to reference people whose names we don't know. We'd never say "the nameless person." Instead, we talk about "the waiter" or "the bus driver" or "the woman with the red skirt" or "the kid doing cartwheels."
When we do this, we assume the person has a name, just not one we know. But think about how we refer to animals. Many animals have names. Animals who are commonly pets usually have names but often don't (feral cats, for instance). Or they might have a name we'll never know (an abandoned dog). Even wild animals often have names. It can be a traditional name, or a research one, like P-22.
We can refer to animals without using names and there is no difference between doing this with an animal that actually has a name vs one who doesn't. "The calico with the tipped ear," "the mare with the teenaged rider," "the lobster over there missing a claw."
0 comment threads
More than one author has struggled with the same problem before. There is a Russian children's story about a dog named 'Shoo' - the dog has been shooed so many times, that by the time it was adopted, it thought 'Shoo' was it's name.
The most famous example of what you're trying to do, and one you're no doubt familiar with, is Fantine, from Victor Hugo's Les Misérables. 'Fantine' literally means 'little girl'. It has the 'infant' root + a feminine diminutive suffix. Like your character, Fantine grew up in the streets. She was called 'little girl' by people, so that became her name.
The conclusion seems to be, whatever your character is called in the brief interactions that he has with people - that becomes his name. This name can be relatively pleasant (e.g. Fantine) or relatively unpleasant (e.g. Shoo), as you see fit.
0 comment threads
I would agree with Bella Swan - you can just call him 'the boy' unless there are other characters present who would fit that description. The Road manages to get away with this beautifully for an entire novel. Granted, there are only really two characters throughout most of the book, but it could be done with a bit more effort in another setting.
I would recommend starting by using descriptors the first several times you speak of him, based upon how you first mentioned him. Call him "the brown-haired boy", "the small boy", "the boy in the corner", etc. so that the reader is reminded who you are speaking about. Once the reader understands that the boy is sticking around for at least a little while, you can transition to a more consistent and shorter tag, like "the boy".
Just my opinion; I am not an expert by any means.
This post was sourced from https://writers.stackexchange.com/a/43384. It is licensed under CC BY-SA 3.0.
0 comment threads
0 comment threads