Communities

Writing
Writing
Codidact Meta
Codidact Meta
The Great Outdoors
The Great Outdoors
Photography & Video
Photography & Video
Scientific Speculation
Scientific Speculation
Cooking
Cooking
Electrical Engineering
Electrical Engineering
Judaism
Judaism
Languages & Linguistics
Languages & Linguistics
Software Development
Software Development
Mathematics
Mathematics
Christianity
Christianity
Code Golf
Code Golf
Music
Music
Physics
Physics
Linux Systems
Linux Systems
Power Users
Power Users
Tabletop RPGs
Tabletop RPGs
Community Proposals
Community Proposals
tag:snake search within a tag
answers:0 unanswered questions
user:xxxx search by author id
score:0.5 posts with 0.5+ score
"snake oil" exact phrase
votes:4 posts with 4+ votes
created:<1w created < 1 week ago
post_type:xxxx type of post
Search help
Notifications
Mark all as read See all your notifications »
Q&A

Post History

60%
+1 −0
Q&A When two POV characters meet

I essentially agree with all prior answers, but I'd like to offer a suggestion that I think is missing: If you decide to choose only one character as the OV character for this scene, I would submi...

posted 5y ago by Brandon_J‭  ·  last activity 4y ago by System‭

Answer
#3: Attribution notice added by user avatar System‭ · 2019-12-08T11:18:59Z (over 4 years ago)
Source: https://writers.stackexchange.com/a/43473
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by user avatar Brandon_J‭ · 2019-12-08T11:18:59Z (over 4 years ago)
I essentially agree with all prior answers, but I'd like to offer a suggestion that I think is missing:

If you decide to choose only one character as the OV character for this scene, I would submit that you **choose the POV of the character that knows less about the situation than their counterpart.**

This can play out in two different ways, both beneficial to your story.

The first is that the _reader doesn't yet know everything that you'd like them to know about the situation_. By putting them in the shoes of the less-informed character, the character can ask questions/have reactions/gain knowledge in sync with the reader, inclining the reader to "connect with" the less-informed character in a way that would be impossible for the more-informed character.

The second is when the reader _does_ know everything about the situation. In this case, the reader is held in mild suspense, trying to figure out when the less-informed character will find the truth, and likely "rooting" for said character.

Obviously, this won't work in all situations, and might not in yours, but it's my two cents as a general suggestion.

#1: Imported from external source by user avatar System‭ · 2019-03-14T00:46:54Z (about 5 years ago)
Original score: 2