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Q&A Plot twist where the antagonist wins

You absolutely can do this, but there are two very important points to consider. What is your purpose in choosing this ending? In what way will this be a satisfying conclusion, from the reader's ...

posted 5y ago by Standback‭  ·  last activity 5y ago by System‭

Answer
#4: Attribution notice removed by user avatar System‭ · 2019-12-12T20:06:07Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/45374
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#3: Attribution notice added by user avatar System‭ · 2019-12-08T11:58:13Z (almost 5 years ago)
Source: https://writers.stackexchange.com/a/45374
License name: CC BY-SA 3.0
License URL: https://creativecommons.org/licenses/by-sa/3.0/
#2: Initial revision by (deleted user) · 2019-12-08T11:58:13Z (almost 5 years ago)
You absolutely can do this, but there are two very important points to consider.

1. **What is your purpose in choosing this ending?**
2. **In what way will this be a satisfying conclusion, from the reader's perspective?**

In your question, you're describing a particular sequence of events as being an _unexpected_ one. That's great, but what makes story isn't just the sequence of events, it's what those events _mean_.

There are _lots_ of stories that end with the protagonist failed and crushed. Those are Tragedies, from _Oedipus Rex_ to _Hamlet_ to _Watchmen_. But these works all are tragedies long before their final scene -- the protagonist losing is the _culmination_ of the tragedy; but its seeds have been planted and growing from the very start.

There are also many stories about how the universe is uncaring and capricious; how empires rise and fall based on bad luck and human perversity (_Catch 22_ comes to mind, as does _A Series of Unfortunate Events_). But that capriciousness doesn't begin in the last chapter -- it's baked in right from the start.

The reason I'm making these comparisons is because you're mostly describing this conclusion in terms of **shock value**. In terms of "being surprising."

But: A good story surprise isn't just "The reader wasn't expecting _this_." The reader doesn't expect the protagonist to suddenly die of a heart attack, or win the lottery, or be elected President by spontaneous write-in votes. It's _easy_ for an author to do _something_ the reader isn't expecting; the question is whether that twist works in service of a coherent story, or not.

That's why the two questions I opened with are so important:

1. **What is your purpose in choosing this ending?** The ending shouldn't be shocking _just_ for the sake of being unexpected. (_Unless_ shocking twists are part of what makes your _whole_ story interesting! In which case it's totally on-brand!) There should be _some_ reason you consider this a good and interesting ending, _besides_ that it's not what the reader was expecting.
2. **In what way will this be a satisfying conclusion, from the reader's perspective?** The _reader_ needs to feel the conclusion is _satisfying_. That it answers their questions; closes things off; fits with the rest. That, _in some way or another_, this is where the story was headed all along; that in retrospect, _this_ is the fitting capstone for the entire story. You need to understand why this is true (or _make_ it true, by making your story build up to it).

Knowing the answers to these questions will keep you focused on _building towards_ your ending; on knowing _how_ it's meant to work and how to accomplish that. That'll help address your questions on foreshadowing and effectiveness as well -- which depend heavily on what, exactly, you're trying to accomplish :)

#1: Imported from external source by user avatar System‭ · 2019-05-24T08:00:31Z (over 5 years ago)
Original score: 43